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Informationen zum Autor Laura Deane teaches English and politics at Flinders University of South Australia. Klappentext This book offers an original and compelling analysis of women's madness, gender and the Australian family. Taking up Anne McClintock's call for critical works that psychoanalyze colonialism, this radical re-assessment of novels by Christina Stead and Kate Grenville provides a sustained account of women's madness and masculine colonial psychosis from a feminist postcolonial perspective. This book rethinks women's madness in the context of Australian colonialism. Taking novels of madness by Christina Stead and Kate Grenville as its point of critical departure, it applies a post-Reconciliation lens to the study of Australia's gender and racial codes, to place Australian sexism and misogyny in their proper colonial context. Employing madness as a frame to rethink postcolonial theorizing in Australia, Gender, Madness, and Colonial Paranoia in Australian Literature psychoanalyses colonialism to argue that Australia suffers from a cultural pathology based in the strategic forgetting of colonial violence. This pathology takes the form of colonial paranoia about 'race' and gender, producing distorted gender codes and ways of being Australian. This book maps the contours of Australian colonial paranoia, weaving feminist literary theory, psychoanalysis and postcolonial theory with poststructuralist approaches to reassess the traditional canon of critical madness scholarship, and the place of women's writing within it. This provocative work marks a radical departure from much recent feminist, cultural, and postcolonial criticism, and will be essential reading for students of Australian literature, cultural studies and gender studies wanting a new insight into how the Australian psyche is shaped by settler colonialism. Zusammenfassung This book rethinks women’s madness through a rigorous analysis of colonial paranoia. Arguing that colonialism produces a distinct cultural expression of women’s madness, this book contends that it is the male characters of the novels who exhibit symptoms of colonial paranoia, as inheritors and agents of the colonial enterprise. Inhaltsverzeichnis Introduction - Made Mad: Women, Madness and National Culture Chapter One - The Intelligible MadwomanChapter Two - Theorizing the Madwoman: Gender, Madness and ColonialismChapter Three - National Identity and Colonial Paranoia in The Man Who Loved ChildrenChapter Four - Cannibalism and Colonialism: Lilian's StoryChapter Five - Dark Places and the White Nation: Colonial ManlinessChapter Six - Conclusions: Australian Psychoses...
