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Exploring how early novels experimented with stories-within-stories, Katie Charles shows how interpolated tales confronted readers with an array of interpretive challenges. Considering the habitual nature of these interruptions by seemingly throwaway extra plots, she investigates why they persistently unnerve readers with the sense that they have 'lost the plot'. Taking the bold critical step of recognizing interpolated tales as a category worthy of analysis, she raises new and exciting questions around how these tales should be read and by what measure they might be said to 'count'. The peculiar literary history reconstructed here offers a key for assessing how various texts and readers think about who gets to speak and be heard, choices of particular import in the context of gender difference and its historical relation to public speech. Lost Plots argues that attending to this forgotten body of evidence opens up a new account of gendered speech and power.
List of contents
Introduction; 1. 'Freckles,' 'blemishes,' and other censurable 'mistakes' of form: Henry and Sarah fielding's 'the history of Leonora'; 2. Unfixed authorship and readymade afterlives of the memoirs of a lady of quality; 3. Speech patterns: the pluralized voices of Sarah fielding and Sarah Scott; 4. Puny and discardable: reckoning with plots that otherwise don't matter in the memoirs of miss Sidney Bidulph; 5. Mother tongue: speaking across in Obi; or, the history of three-fingered Jack; 6. Epilogue: whither the interpolated tale?; Bibliography; Index.
About the author
Katie Charles is Associate Professor of English at Washington College, where she teaches transatlantic eighteenth- and nineteenth-century literature, with a special focus on the novel and gender studies. Her work has appeared in MLQ, Eighteenth-Century Fiction and The Eighteenth Century: Theory and Interpretation. Before returning to graduate school, she worked as a journalist for five years, during which time she interviewed Angela Lansbury and Morgan Freeman, and she remains closely engaged with culture reporting and print culture more broadly.
