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This collection offers students a practical guide to understanding the ways music and literature intersect and the influence of each on the other, as well as developing methods of study.
List of contents
Introduction: A Guide to this Book -
Phyllis Weliver and Katharine Ellis 1. Vernon Lee's "A Wicked Voice" (1890): Music and Queerness in Decadent Fiction -
Fraser Riddell2. Conjuring Folk Music: George Sand's
The Master Pipers (1853) -
Katharine Ellis3. Bands of Mercy Music: A Cultural Study of Victorian Animal Welfare Songs for Children -
Alisa Clapp-Itnyre4. The Music of the Women's Suffrage Movement -
Christopher Wiley5. Song and the Political Body: William Morris -
Elizabeth Helsinger6. Understanding Colonial Mission Hymns and Hybridity -
Philip Burnett7. Representing Non-Western Music: Robert Louis Stevenson in Kiribati -
Emma Sutton8. Musical Encounters at the Louisiana Lakeside in Charles Jobey's "Le lac Cathahoula" (1856/1861) -
Charlotte Bentley9 Critical Dislocations: Champfleury's
Richard Wagner (1860) -
Jeremy Coleman10. Locating Elgar: Nationalism, Landscape and Musical Biography -
Daniel M. Grimley11. Musical
Ekphrasis and Intermedial Form in Walter Pater's "Duke Carl of Rosenmold" (1887) -
Elicia Clements12. Women, Music and Tennyson's
The Princess (1850 edn) -
Phyllis Weliver13. Reading Whitman, Hearing Vaughan Williams: Sexuality, National Politics and the Role of the Artist in Society -
Sarah CollinsCoda -
Shafquat Towheed Index
About the author
Edited by Phyllis Weliver and Katharine Ellis
Summary
This collection offers students a practical guide to understanding the ways music and literature intersect and the influence of each on the other, as well as developing methods of study.