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About the author
Daisy Hernández is the author of The Kissing Bug, winner of the PEN/Jean Stein Book Award and the inaugural title for the National Book Foundation’s Science + Literature Program. Her memoir A Cup of Water Under My Bed won Lambda Literary’s Dr. Betty Berzon Emerging Writer Award and was a Publishing Triangle Award finalist. She co-edited the classic feminist anthology Colonize This! and is an Associate Professor of Creative Writing at Northwestern University.
Summary
A provocative, personal, blazingly intelligent examination of one of the most vexing questions facing the United States today—who is, and should be, a citizen?
“How did ‘Give me your tired, your poor, your huddled masses yearning to breathe free’ turn upside down to where we are today? Everyone needs to read this book, citizens and non-citizens alike. Brilliant!”—Sandra Cisneros
"The most comprehensive book on citizenship/immigration I've ever read. A must-read!"—Javier Zamora
In this one-of-a-kind book, Daisy Hernández fiercely interrogates one of the most complicated subjects of contemporary life and politics: citizenship. Braiding memoir, history, and cultural criticism, she exposes the truths and lies of how we define ourselves as a country and a people. Turning to her own family's stories—her mother arrived from Colombia, her father a political refugee from Castro's Cuba—Hernández shows how the very idea of citizenship is a myth and part of the stories we tell ourselves about the American soul and psyche.
Reframing our understanding of what it means to be an American, Notes on Citizenship is an urgent and necessary account of the laws, customs, and language we use to include and exclude, especially those who come from Latin America. With her scholar's mind and memoirist's gift for narrative, Hernández weaves a story both personal and national, while reckoning with our country's ongoing debate about who belongs and providing fresh ways of thinking about citizenship. At once bracing, fearless, and tender, Notes on Citizenship is a powerful portrait of one family's experiences in the borderlands of citizenship and an honest illumination of the country in which we live.
