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Nordic Music Videos fills a gap in the existing research on music videos by bringing together new perspectives on music videos across the Nordic region, from the academic to the practical, the aesthetic to the industrial, while addressing issues of local, transnational and global significance.
List of contents
1. List of Figures 2. List of Contributors 3. Introduction: Nordic Sounds, Visions and Imaginings 4. Sigur Rós, Valtari #14, and Audiovisual Stirrings of Icelandicness 5. Self-Disclosure and Masking Strategies in the Music Videos of Björk's Vulnicura 6. Ambiguity in A-ha's "Take on Me": Analyzing Audiovisual Aesthetics through Data Visualization 7. Naked, Natural: Female Body Positivity and Agentic Sexuality in Nordic Pop Music Videos 8. Antiracist Strategies in Hkeem's "Ghettoparasitt" 9. BDSM Aesthetics, Capitalism, and Resistance in the Audiovisual Work of Hatari 10. Sci-fi Hero for a Generation: Finnish Girlhood in a Music Video by Vesala 11. Landscape and Cultural Heritage in Faroese Music Videos 12. Ariosophic Whiteness in Early Norwegian Black Metal Videos 13. Finland-Swedish Music Video: Meaningful Products of a Non-Existent Industry for a Non-Existent market 14. British "Fishing" in the Nordic Music Video Waters 15. Oulu Music Video Festival: Where Local Talent Meets Global Experiences at a Festival in Northern Finland 16. Interview with Rasmus Stolberg of Efterklang 17. Interview with Martin de Thurah 18. Interview with Aurora 19. Killer Music Videos: Nordic Noir Title Sequences and Concentrated "Nordicness" 20. Rock and Roll Films in the Nordic Countries during the 1950s 21. Vernacular Music Video: Danish Music Videos Outside the Music Industry 22. Videography 23. Index
About the author
Anna-Elena Pääkkölä is a Finnish Academy post doc researcher at Åbo Akademi University. She has published in various article collections and journals on music videos and audiovisual expression in English and Finnish on themes including performance, identity, intertextuality, and intersectional feminisms.
Mathias Bonde Korsgaard is an associate professor at Department of Media and Journalism Studies, Aarhus University. He has published extensively on music videos and audiovisual culture, including
Music Video After MTV (2017), which discusses music video in the digital era, and
Traveling Music Videos (2023, with Tomáš Jirsa)
, which addresses music video's travels across media, platforms, and cultural industries.
John Richardson is professor at the University of Turku. He has published extensively on music videos and co-edited two influential handbooks,
The Oxford Handbook of New Audiovisual Aesthetics and
The Oxford Handbook of Sound and Image in Digital Media. He is author of
An Eye for Music: Popular Music and the Audiovisual Surreal, which discusses new directions in audiovisual expression.
