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The Routledge Companion to Applied Musicology brings together academics, artist-researchers, and practitioners to provide readers with an extensive and authoritative overview of applied musicology.
List of contents
List of FiguresList of ContributorsIntroduction Chris DromeyPart I. Defining and Theorising Applied Musicology1. From Spitta to Seeger: Early Theories of Applied Musicology
Malik Sharif 2. Musicology's Applied Foundations (or, How Music was Musealised)
Miloš Zapletal and Chris Dromey3. The Late Nineteenth-Century Concert as Applied Musicology
Natasha Loges4. "Applied" before Musicology? George Grove, Programme Notes, and the
Dictionary Bruno Bower5. Phenomenology, Practice-led Research, and Applied Musicology
Nancy November6. The Locations of Musical Meaning and Subjectivity
Alastair WilliamsPart II. Public Engagement7. Shaping the Narrative: Musicology for a Public
Leah Broad8. Exhibiting Ethnomusicology: Curation Across Cultures and Disciplines
Frances Wilkins,
Barbara Alge and the Aanischaaukamikw Cree Cultural Institute9. Club Inégales, Curation, and Processes of Public Musicology
Helen Julia Minors10. Cultural and Artistic Citizenship in Classical Music
Constanze Wimmer and Chris Dromey11. Musicology and/as Knowledge Exchange
Toby Young12. 'So wide is the field': Edward Taylor's Public Music Lectures
Rachel JohnsonPart III. New Approaches and Research Methods13. The Sound Commons and Applied Ecomusicologies
Aaron S. Allen, Taylor Leapaldt, Mark Pedelty and Jeff Todd Titon14. Perceptions of Melodic Symmetry: A Priming Study
Michael Thorpe15. Opera Virgins at the Movies: Audience Research and the Ontology of Opera Cinema
Joe Attard16. Towards an Applied Health Musicology: Aesthetic Music Therapy and Beyond
Colin Andrew Lee and Chris Dromey17. "Parental Advisory": Making Explicit the Value and Authenticity of a Music Degree
Paul FleetPart IV. Representation and Inclusion18. Rethinking Representation in Music Education: Strategies to Integrate Pan-African Music
Karen Cyrus19. Whose 'Better World'? Reflections on Applied Music Interventions in the Andes
Xabier Etxeberria Adrien and Henry Stobart20. Rethinking (Self-)Care in Musicology
Klisala Harrison21. The Legality and Morality of Rap at Court
Lily E. Hirsch22. Strategies for Using Music Theory to Inform Music Education, Psychology, and
Therapy Research
Adam OckelfordPart V. Musicology in/for Performance23. "Mahler am Tisch": Experimenting with Imagined and Emergent Audiences
Ties van de Werff, Veerle Spronck and Imogen Eve24. On Organology: Taxonomy and Transdisciplinarity
Rachael Durkin and Darryl Martin25. Dialogues with Recordings:
Digital Memory and the Archive Neil Heyde26. Intersections Between Northern Irish Choral Practices and Community Music Principles
Sarah-Jane Gibson and Lee Higgins27. Music for Buildings, Building for Music
Neil Thomas Smith and Peter PetersReferencesIndex
About the author
Chris Dromey is Associate Professor of Music at Middlesex University, where he has led BA Music Business and Arts Management since 2006. He is co-editor of The Classical Music Industry (Routledge, 2018).
