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From haunted ranches to epic maritime legends of the 19th century, devour stories of our world's oldest hauntings and unexplainable phenomena in hair-raising accounts of the afterlife.Get to the heart of the unexplainable in Adam's third addition to the "lllustrated History" series filled with private seances and ectoplasm to spiritual mediums and spirit photography galore. Fans of conspiracy and strange phenomena will transport themselves across the centuries through diagrammatic illustrations paired with well-researched facts about exorcism, mediums, ghost photos, talking boards, and connections to after life.
Whether you are a ghost fanatic or simply piqued by curiosity, you'll get a robust deep dive into the experiences of paranormal occurrences, alternative explanations for these occurrences, and our culture's fascination with them. Prepare to embark on a strange journey that allows skeptical inquiry, or perhaps the possibility of believing in the afterlife!
About the author
Adam Allsuch Boardman was born in a family of creatives in West Yorkshire. He studied BA Illustration at the Leeds Arts University and graduated in 2016. Following his degree, Adam served a year as the Students' Union President whilst simultaneously working as a freelance illustrator. Since then, Adam has worked for a variety of clients such as Apple, The Economist, Deloitte and Monocle. His first Nobrow title 'An Illustrated History of Filmmaking' has received high praise and has been translated into over five languages.Adam Allsuch Boardman was born in a family of creatives in West Yorkshire. He studied BA Illustration at the Leeds Arts University and graduated in 2016. Following his degree, Adam served a year as the Students' Union President whilst simultaneously working as a freelance illustrator. Since then, Adam has worked for a variety of clients such as Apple, The Economist, Deloitte and Monocle. His first Nobrow title 'An Illustrated History of Filmmaking' has received high praise and has been translated into over five languages.
