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The early modern world abounded with representations of miracles. Departing from the view that miracles are fundamentally media events, the chapters of this volume examine how miraculous occurrences were reproduced across various cultural productions of the time, including epic poetry, painting, theatre, hagiographies, ego documents, and philosophical treatises. From an interdisciplinary perspective, scholars from literary studies, art history, and history analyse the strategies employed by creators to capture the ephemeral nature of miracles. The chapters show that these strategies ranged from brevity and matter-of-factness to material abundance and polysensoric performances. By discussing the early modern miraculous from a medial standpoint, the volume demonstrates that the reproduction of miracles served not only to validate their veracity but, more importantly, to disseminate them as perceived deviations from the laws of nature, allowing humans to glimpse the transcendent.
About the author
Rogier Gerrits is a postdoctoral researcher at University of Hamburg and member of the Research Unit “Spiritual Intermediality in the Early Modern Period”. His research interests include early modern French spiritual poetry, intermediality in early modern meditation, the medialisation of miracles in French culture, allegory, and 19th Century French literature.
Avi Liberman is a doctoral researcher and a member of the research training group “Knowing – Believing – Asserting: Production and Enforcement of Truth in the Premodern Period” (GRK2945) at Ruhr University Bochum. His research interests include Italian epic poetry, libretto studies, anticlassicisms in the Cinquecento, translation studies.
Summary
The early modern world abounded with representations of miracles. Departing from the view that miracles are fundamentally media events, the chapters of this volume examine how miraculous occurrences were reproduced across various cultural productions of the time, including epic poetry, painting, theatre, hagiographies, ego documents, and philosophical treatises. From an interdisciplinary perspective, scholars from literary studies, art history, and history analyse the strategies employed by creators to capture the ephemeral nature of miracles. The chapters show that these strategies ranged from brevity and matter-of-factness to material abundance and polysensoric performances. By discussing the early modern miraculous from a medial standpoint, the volume demonstrates that the reproduction of miracles served not only to validate their veracity but, more importantly, to disseminate them as perceived deviations from the laws of nature, allowing humans to glimpse the transcendent.
