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Informationen zum Autor Eldritch Priest is Assistant Professor in the School for the Contemporary Arts at Simon Fraser University, Canada and writes on sonic culture, experimental aesthetics, and the philosophy of experience from a ’pataphysical perspective. He is the author of Boring Formless Nonsense: Experimental Music and the Aesthetics of Failure (2013) as well as numerous journal articles. Eldritch is also a composer. His works have been performed in Canada, the United States, Netherlands, and the United Kingdom. Klappentext Highly original in form and content, this radical work redefines the aesthetics of failure through the prism of contemporary sound and composition. Inhaltsverzeichnis Introduction One: BoringIntroductionA boring historyCage! Fluxus and Extendedness in the 1960s and 70sThe Aesthetics of Boredom and the Art of WaitingThe Premises/Promises of Aesthetic BoredomA Less Promising BoredomUglier Feelings of the StuplimePost...Death...Afterthought... Two: Formless Pretext(Informe)How to read this chapterStoryBecoming FormlessMusic NoiseRecording Distraction---MultitaskingCapture and EscapeLull ))) ))) )))Listening to SoS#16's Lull )))))(((((Listening Away)))))Muzak's Way of Dreaming Ubiquitously ))))---Notes on Muzak---Quantum ModulationWe don't (((listen))) anymoreThe (((Sound))) of HabitsSound-Effects))))) Charm and DissatisfactionLast)))))Another Again Three: Nonsense (Voodoo(Metareferentiality! Metamusic and Hypermusic(Gr pat and Pseudonymity(Symptoms! Syndromes and Hyperfiction(In a Sedimental Mood(Hyperstition! Magick and Nonsense(Becoming Karen et al! a Real-Time Hyperstition as of March 30! 2007 ByKaren Eliotiv(Of Lies(What does music feel like? (or! 'on the refrain of pain and imagining'):Discursive Remainders from glossolalia (stress positions) by EngramKnots(glossolalia (stress positions)(Occult dualism(Illustrative Interlude: Practicing(The sleep side of music and dream-work)))))))))))))Inconclusion/This chapter is false("Disclaimer") Four: Confabulation BibliographyIndex ...
About the author
Eldritch Priest is Assistant Professor in the School for the Contemporary Arts at Simon Fraser University, Canada and writes on sonic culture, experimental aesthetics, and the philosophy of experience from a ’pataphysical perspective. He is the author of Boring Formless Nonsense: Experimental Music and the Aesthetics of Failure (2013) as well as numerous journal articles. Eldritch is also a composer. His works have been performed in Canada, the United States, Netherlands, and the United Kingdom.
