Read more
Introduces a new way of understanding influence, reception, and adaptation via the work of Italy's most famous modern writer In
Transmedial Resonance, Robert A. Rushing addresses the remarkable and ongoing responses to the imagination of Italo Calvino, Italy's most important modern writer. Since his death in 1985, Calvino's writing has served as a constant figure of inspiration for other artists, and tellingly, that inspiration has been "more outside than inside." Although Calvino's reputation as a writer is immense, his influence has in fact been vastly larger
outside of literature, including in architecture, city planning, community organizing, design, visual arts, video games, the performing arts and much more. That influence is not only transmedial. It has also been "more outside than inside" across national boundaries, particularly in the English-speaking world.
Rushing thinks about Calvino's influence through the metaphor of
resonance. When something resonates, he argues, it may be "inspired" to do so, but it does so in its own voice, singing its own song. In fact, resonance offers an entirely different way of thinking about influence and artistic reception, stressing the
energy of the inspiration rather than fidelity to the original. In keeping with that underlying sonic metaphor, Rushing looks at specifically acoustic responses to Calvino. They include Chris Cerrone's Pulitzer-nominated "opera in headphones" based on
Invisible Cities, Lisa Mezzacappa's
Cosmicomics jazz suite, and Ashwini Ramaswamy's multimedia dance performance of
Invisible Cities, which combines traditional South Indian Bharatanatyam, urban breaking, and African American modern dance. These works, Rushing shows, tell the story of a very different Calvino, one who is (in Mezzacappa's words) "nerdy and neurotic," playfully perverse, and profoundly political.
Bringing together sound studies with literary studies and cultural reception,
Transmedial Resonance argues for a radical re-imagination of how we think about artistic and cultural influence, calling for a completely new understanding of this major figure of modern Italian and world literature.
About the author
Robert A. Rushing is Professor of European Languages and Transcultural Studies, as well as Film, Television and Digital Media, at UCLA. He is the author of
Resisting Arrest: Detective Fiction and Popular Culture and
Descended from Hercules: Biopolitics and the Muscled Male Body on Screen, winner of the 2016 AAIS (American Association for Italian Studies) Film/Media book prize.
