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This book explores the evolving landscape of European film and television co-productions, from traditional models supported by Eurimages to new collaborations shaped by global streaming platforms like Netflix. It examines how European co-production policies have influenced industry practices, funding structures, and audience engagement, balancing artistic, economic, and cultural priorities. Through historical analysis, case studies, and stakeholder perspectives including policymakers, industry professionals, and audiences this book offers fresh insights into the challenges and opportunities facing European audiovisual production today. It is essential reading for scholars, industry professionals, and policymakers interested in transnational media, cultural policy, and the future of European cinema.
List of contents
Chapter 1: European Co-Production Because Together Is Better than One.- Chapter 2: Towards an Ideal European Co-Production and Its Audiences.- Chapter 3: From Borders to Bridges: Eurimages and the Rise of European Co-Production Field.- Chapter 4:Architects of Collaboration: The Role of Public Film Funds in European Co-Productions.- Chapter 5: Navigating the Labyrinth of European Co-Production: Voices from Behind the Camera.- Chapter 6: From Vision to Viewer: Audience Design in European Co-Production.- Chapter 7: Co-Producing in the Netflix Age: Balancing Independence and Collaboration.- Chapter 8: Conclusion.
About the author
Petar Mitric is an Assistant Professor in Film Studies at the University of Copenhagen. His research focuses on European audiovisual policy, co-production, and audience design practices, bridging film studies and creative media industry studies. He has published extensively on European cinema and has collaborated in an advisory capacity with organizations such as Film i Väst and TorinoFilmLab.
Summary
This book explores the evolving landscape of European film and television co-productions, from traditional models supported by Eurimages to new collaborations shaped by global streaming platforms like Netflix. It examines how European co-production policies have influenced industry practices, funding structures, and audience engagement, balancing artistic, economic, and cultural priorities. Through historical analysis, case studies, and stakeholder perspectives – including policymakers, industry professionals, and audiences – this book offers fresh insights into the challenges and opportunities facing European audiovisual production today. It is essential reading for scholars, industry professionals, and policymakers interested in transnational media, cultural policy, and the future of European cinema.
