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Presented here for the first time in English is a remarkable screenplay about the apostle Paul by Pier Paolo Pasolini, legendary filmmaker, novelist, poet, and radical intellectual activist. Written between the appearance of his renowned film Teorema and the shocking, controversial Salò, or the 120 Days of Sodom, St Paul was deemed too risky for investors. At once a political intervention and cinematic breakthrough, the script forces a revolutionary transformation on the contemporary legacy of Paul. In Pasolini's kaleidoscope, we encounter fascistic movements, resistance fighters, and faltering revolutions, each of which reflects on aspects of the Pauline teachings. From Jerusalem to Wall Street and Greenwich Village, from the rise of SS troops to the death of Martin Luther King, Jr, here- as Alain Badiou writes in the foreword-"Paul's text crosses all these circumstances intact, as if it had foreseen them all."
This is a key addition to the growing debate around St Paul and to the proliferation of literature centred on the current turn to religion in philosophy and critical theory, which embraces contemporary figures such as Alain Badiou, Slavoj Zizek and Giorgio Agamben.
About the author
Pier Paolo Pasolini (1922-75) was an Italian film director, poet, writer and one of the most controversial and provocative intellectuals of his time. He worked together with Mauro Bolognini, Bernardo Bertolucci and Franco Rossi. Mostly known for his first and last films, Accattone and Salò, as well as The Gospel According to St. Matthew and Decameron, he was also a prolific essayist and activist. He was murdered in 1975.Alain Badiou teaches philosophy at the E?cole normale supérieure and the Collège international de philosophie in Paris. In addition to several novels, plays and political essays, he has published a number of major philosophical works, including Theory of the Subject, Being and Event, Manifesto for Philosophy, and Gilles Deleuze. His recent books include The Meaning of Sarkozy, Ethics, Metapolitics, Polemics, The Communist Hypothesis, Five Lessons on Wagner, and Wittgenstein's Anti-Philosophy.
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Pasolini seems to me indisputably the most remarkable figure to have emerged in Italian arts and letters since the Second World War ... His poetry is an important part of his passionate, proud, historically vulnerable body of work, a work in and with history; and of the tragic itinerary of his sensibility. Susan Sontag
