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Unearthed in a clear-out, a picture calendar she''s kept - hoarding, I''ve learnt, is a mark of the emigrant - across continents and time. So begins Sarah Howe''s extraordinary new collection, returning to the riddle of belonging she explored in her award-winning debut, Loop of Jade. At the heart is her own mother''s clouded past: abandoned as a baby and taken in, at the turbulent dawn of Communist China, by a woman with her own hidden motives. Now a mother herself, Howe finds herself re-examining this unreliable narrative with fresh sight. Sifting through her own history, the poet asks, how can a new generation transform a shattered inheritance? And what is lost and gained in the pursuit? What unfolds is a personal Babel of voices and identities, and an examination of the contradictory legacies of colonialism, where poems - past and present - act as ''foretokens'', omens of what lies ahead. A central spine of poems takes the molecular structure of DNA as its template: a ''ladder of atoms beginning to twist'', down which the poet steps into the darkness of time. Objects of witness resurface to tell their own stories: fragile porcelains of past centuries transiting across continents; a picture calendar of old postcards from another world. ''From the other side of ruin / we found safe passage'', Howe writes in these spectacular poems of emotional heft and quickening wit, their voice salvaged from the fragments of a former self. Foretokens is a monumental work of survival and creation, turning over what is left behind as it strikes out towards astonishing new vistas.
About the author
Sarah Howe is a British poet, academic and editor. Born in Hong Kong to an English father and Chinese mother, she moved to England as a child. Her pamphlet, A Certain Chinese Encyclopedia, won an Eric Gregory Award, and her first collection, Loop of Jade (Chatto & Windus, 2015), won the T.S. Eliot Prize and the Sunday Times Young Writer of the Year Award, and was shortlisted for the Forward Prize for Best First Collection. In 2014, she co-founded Prac Crit, an online journal of poetry and criticism. She is currently the Poetry Editor at Chatto & Windus and an Honorary Visiting Professor at the University of Liverpool.