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Willa Cather, in the historical novel "Death Comes for the Archbishop," depicts Padre Antonio Jose Martinez as an unscrupulous backward rogue priest and Archbishop Jean Baptiste Lamy as a civilizing, heroic and monumental figure. Countering Cather's assessment and portrayal of these two larger-than-life Southwestern folk heroes, Ray John de Aragon attempts to set the historical record straight. Padre Martinez (1793-1867) is viewed as a genius who was ahead of his time. Recognized as a champion of the poor, defender of the Native Americans and proponent of human rights, it was inevitable that he would clash with Lamy. Bishop Lamy (1814-1888), who also had his followers, emerges as someone whose understanding of native New Mexican cultures was lacking, but one whose intentions were to do good as a missionary in a strange and foreign land.
About the author
Ray John de Aragón is an internationally recognized santero and writer. He has received numerous awards and is credited with producing imges meant primarily for religious veneration like the original New Mexico santeros of he nineteenth century. He has always strived for authentic detail in sculpting wooden figures that most closely resemble the spiritual and folk quality of the originals. His attention to true religious detail centered on the Passion sufferings of Christ is evident in this book. He is the is the author of "Padre Martínez and Bishop Lamy," "The Legend of La Llorona," and "Recollections of the Life of the Priest Don Antonio Jose Martínez," all from Sunstone Press.
