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This book examines Chinese film in the twenty-first century. Organised around the themes 'movements', 'genres', and 'intermedia', it reflects on how Chinese cinema has evolved over past decades.
List of contents
ContentsList of FiguresList of ContributorsAcknowledgementsA New Century of Chinese Film and Chinese Film Scholarship
Corey Kai Nelson SCHULTZ and Cecília MELLOPart I: Movements1. Chinese Documentary: Towards a
Minjian Poetics
Bruno LESSARD2. Sojourners on the Rivers and Lakes: Chinese Independent Filmmakers as
Jianghu Ke (¿¿¿)
Clemens VON HASELBERG3. The South China New Wave: Cinema as Xinxiang (Affective-Ideational Imagery)
LIU Siqi
4. Live-streaming and Saved Footage in Zhu Shengze's
Present.Perfect.Regiane ISHII and Cecília MELLOPart II: Genres5. Mainland New Year Films: From Genre to Cinema Season, 1997-2004
Qi AI6. The Chinese "Quasi-Noir" Cinema Tradition: From Fante Pian to Neo-Noir
Stefano LOCATI7. Re-animating Chinese Myths: Mythology and/as Mythologies in Contemporary Chinese Animation
Thomas William WHYKE and Melissa Shani BROWNPart III: Intermedia8. Film in Brushstrokes: An Intermedial Study on the Integration of Traditional Chinese Painting in
Mr. No Problem and
Dwelling in the Fuchun MountainsQiwen WU9. Strategic Localization and Screen Adaptations of
Journey to the West from the 1920s to the 2010s
Hening ZHANG10. The World and Beijing World Park: Film Tourism, Intermedia, Embodiment, and the Fake
Corey Kai Nelson SCHULTZIndex
About the author
Corey Schultz is Associate Professor at the University of Nottingham Ningbo China.
Cecília Mello is Professor at the University of São Paulo, Brazil.
