Fr. 235.00

Skin Color and Whiteness in Contemporary Art

English · Hardback

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Description

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This study demonstrates the significance of using contemporary art in scholarly debates about cultural aspects of skin, in particular "whiteness" as a phenomenon that is both overly visible and invisible.


List of contents










Preface Introduction 1. Skins in and of Paintings: Relationships between Paint Skin and Painted White Skin Tones in Western European Modern Art 2. Socio-Political Skin of the Medium: Making Whiteness Strange through Color Manipulation and Skin as Mask 3. Memory Projection Surfaces: Photographic Reflections on "Second Skins" Conclusion


About the author










Helen Westgeest is Associate Professor of Modern and Contemporary Art History at Leiden University.

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