Fr. 66.00

Mobile Heritage - Practices, Interventions, Politics

English · Paperback / Softback

Shipping usually within 1 to 3 weeks (not available at short notice)

Description

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Mobile Heritage explores how diverse digital technologies have allowed for new types of mobilities and introduced a novel set of practices, interventions, and politics for heritage collections, archives, exhibitions, entertainment, conservation, management, commerce, education, restitution, activism, and regulation.


List of contents










Introduction: What is mobile heritage? (Ana-Maria Herman); 1 No freedom, no honour: Red Dead Redemption 2 and heritage as procedural rhetoric (Leighton Evans); 2 Museum pieces or stealing the show? NFTs and the story of cinematic heritage in fragments (Johanna Gibson); 3 Digital mobilisation: A just restitution? The transfer to Ethiopia of digitised manuscript copies by the British Library (Eyob Derillo and Alexander Herman); 4 Open Cabinet: Critically contextualising contested heritage through augmented reality (Joanna Rivera-Carlisle and Kathryn Eccles); 5 The use of drone technology in the conservation of conflict-affected heritage: The case of Vila do Ibo, Mozambique (Kristen Barrett-Casey); 6 The museum response to the Art NFT: Reinventing (digital) collections and the promise of economic mobilities (Emily Gould); 7 Coffee with a Codex and #manuscriptASMR: Showcasing rare books as a heritage practice (Nicholas Herman and Dot Porter); 8 Reconstructing the Yi identity through popular music and social media in China (Junmin Liu); 9 Hybrid spaces and geolocative mobile apps for LGBTQ heritage (Visa Immonen); 10 Mobile realities beyond vision and photorealism: On collaborative user explorations with Indigenous heritage and the use of intelligent contestation in Australia (Erik Champion and Hafizur Rahaman); 11 The Virtual Illés Initiative: Remediating architectures of information within a 3D, real-time visualisation of 19th-century Jerusalem (Maryvelma Smith O'Neil and Andrew Yip); 12 Digital interventions in art world gender politics: The +Archive Gwen John app and the (im)mobilising power of copyright (Ana-Maria Herman); Index.


About the author










Ana-Maria Herman is Associate Professor at University of Greenwich, UK.


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