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This book offers a groundbreaking exploration of Alexandre Dumas s enduring legacy, focusing on his most celebrated work, The Three Musketeers. Despite its global popularity and cultural impact, critical studies on Dumas and his iconic novel are surprisingly scarce. This monograph breaks new ground as the first modern critical study dedicated to The Three Musketeers, examining its myriad adaptations across diverse cultures and media. Delving into the rich tapestry of Adaptation Studies, this book transcends traditional analyses by exploring a wide array of adaptations beyond the familiar Anglo-centric lens. From India to the Slavic world, and especially examining Latin America, it provides a comprehensive examination of how The Three Musketeers has been reimagined in various cultural contexts. Readers will discover how this serialized novel evolved into a cornerstone of Western culture, tracing its journey through 19th-century printings, stage versions, and children s books. This monograph also investigates the global screen presence or absence of the Musketeers. Scholars and enthusiasts alike will find this book invaluable for understanding Dumas s complex identity as a mixed-race author in 19th-century France. It sheds light on the criticism he faced during his lifetime and how he became the object of systemic erasure from his works. By examining how Dumas s identity has influenced the adaptation and circulation of his stories, this book reveals the intricate relationship between author and characters. This essential read is perfect for researchers in literature, film studies, cultural studies, and anyone intrigued by the fascinating interplay between text and adaptation.
List of contents
Chapter 1: Introduction.- Chapter 2: A Study in Alexander Dumas.- Chapter 3: The Musketeers in the beginning.- Chapter 4: The Musketeers on the page.- Chapter 5: The Musketeers on the screen.- Chapter 6: The Musketeers in the world.- Chapter 7: The Musketeers in Latin America.- Chapter 8: Conclusion.
About the author
Ana Laura Magis Weinberg holds a PhD in Adaptation Studies from De Montfort University. She specializes in issues of adaptation, identity, and global cinema. Her work has been published in newspapers, magazines, indexed publications, and edited volumes including the Arden Shakespeare collection and the journal Shakespeare. She is currently researching Shakespeare and culture in Latin America at the National Autonomous University of Mexico.
Summary
This book offers a groundbreaking exploration of Alexandre Dumas’s enduring legacy, focusing on his most celebrated work, The Three Musketeers. Despite its global popularity and cultural impact, critical studies on Dumas and his iconic novel are surprisingly scarce. This monograph breaks new ground as the first modern critical study dedicated to The Three Musketeers, examining its myriad adaptations across diverse cultures and media. Delving into the rich tapestry of Adaptation Studies, this book transcends traditional analyses by exploring a wide array of adaptations beyond the familiar Anglo-centric lens. From India to the Slavic world, and especially examining Latin America, it provides a comprehensive examination of how The Three Musketeers has been reimagined in various cultural contexts. Readers will discover how this serialized novel evolved into a cornerstone of Western culture, tracing its journey through 19th-century printings, stage versions, and children’s books. This monograph also investigates the global screen presence – or absence – of the Musketeers. Scholars and enthusiasts alike will find this book invaluable for understanding Dumas’s complex identity as a mixed-race author in 19th-century France. It sheds light on the criticism he faced during his lifetime and how he became the object of systemic erasure from his works. By examining how Dumas’s identity has influenced the adaptation and circulation of his stories, this book reveals the intricate relationship between author and characters. This essential read is perfect for researchers in literature, film studies, cultural studies, and anyone intrigued by the fascinating interplay between text and adaptation.
