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First published in 1964,
Greek Tragedy and the Modern World begins with the question what is Tragedy? Most discussion assumes some essence of Tragedy in certain plays at certain periods, and discussion today centres on whether it is possible, or desirable, for contemporary plays to attend to this essence. There is considerable agreement about what this essence of Tragedy is. But when we examine closely the works of Aeschylus, Sophocles and Euripides we find that none of the important aspects of this essence of Tragedy applied to them. Greek tragedies are not Tragedy. Yet if we read or perform them, we do discover a special attitude to life which they present.
By examining each of the works of the three Greek masters in turn the author has tried to define what this attitude to life consists of. He then turns his attention to dramatists who have attempted with varying degrees of success, to present aspects of this attitude in contemporary terms: Buchner, Ibsen, Strindberg, Miller, Cocteau, Gide, Giraudoux, Anouilh, Sartre, Ghéon and Eliot. He pays particular attention to such key concepts as 'myth' and discusses the various forms of poetic language used by these writers. The author assumes that one cannot criticise literature, still less drama, except in terms of a complete view of life and goes on to examine the claims of different philosophical systems and methods to provide this. He believes that such a view is both possible and desirable in our time and indeed a necessary prerequisite for the emergence of modern tragedy. This is a must read for scholars and researchers of Greek literature, theatre studies and literature in general.
List of contents
Preface Introduction Part I: Greek Tragedy 1. The Background to Greek Tragedy
2. Aeschylus
3. Sophocles
4. Euripides
5. The Common Ground of Tragedy
Part II: The Possibility of Modern Tragedy 6. Tragedy and Philosophy
7. Poetry and the Theatre
Part III: Modern Tragic Writing 8. Introductory
9. The Nineteenth-century Background
10. Miller
11. Cocteau, Gide, Giraudoux
12. Anouilh
13. Sartre
14. Ghéon
15. Eliot
16. Conclusion
Notes Appendix Bibliography Critical Bibliography Index
About the author
Leo Aylen was born in South Africa in 1935. He was a classical scholar at New College, Oxford. In 1962 he was awarded a PhD for research in the drama department of Bristol University. Dr Leo Aylen has appeared on about a hundred campuses in the United States and Canada, as the guest of Classics, English, Drama and Theatre, Film and Communication, Departments. He is that rarity, a scholar who is also a performer and director in both film and theatre.
Summary
First published in 1964, Greek Tragedy and the Modern World begins with the question what is Tragedy? By examining each of the works of the three Greek masters the author has tried to define what the special attitude to life found in Greek tragedies consists of.
