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It is a collection of 10 essays on the transcultural encounter between Bengal and Italy from the late 19 & 20th century. It explores the largely unknown features of a multifaceted dialogue in the fields of literature, music, architecture, art, cinema, diplomacy, entrepreneurship, travels, education and intellectual engagement.
List of contents
List of illustrations
Acknowledgements
Contributors
Introduction:
Paromita Chakravarti & Mario Prayer
Part 1. Encounters in words and sounds:
Literature, Music, Performance- Chapter 1.
From Dante to Rabindranath: An Unfolding Renaissance:
Sukanta Chaudhuri- Chapter 2.
Rabindranath Tagore as Reflected in the Works of Early-20th-Century Italian Composers:
Luisa Prayer- Chapter 3.
Translating Cultures: Italian Dramatists on the Bangla Stage:
Paromita ChakravartiPart 2. Encounters in shapes and images:
Architecture, Art, Cinema- Chapter 4.
Neoclassical Architecture in 19th-Century Calcutta and the Case of Bengali Domestic Residences:
Monolina Bhattacharyya- Chapter 5.
The Italian Connection to Indian Art in Calcutta: The Contribution of Olinto Ghilardi and Sashi Hesh in the Late 19th and Early 20th Centuries:
Rituparna Basu- Chapter 6.
Before Neorealism, After Commedia: Tracing an Aesthetic Décalage:
Trinankur BanerjeePart 3. Encounters through experience:
Business, Travel, Politics- Chapter 7.
Italy and the Discovery of India: The Early Phase of Italian Foreign Policy in Bengal (1849-1936):
Marzia Casolari- Chapter 8.
"The Italian [...] who Comes Here to try his Luck [...] Only Deals in Trade": Italian Traders in Bengal 1850-1950 ca.:
Antonella Viola- Chapter 9.
Travels in Italy: Bengali Writings in the Late 19th and Early 20th Centuries:
Sanjukta Das Gupta- Chapter 10.
Emissaries of Swadeshi: Bengali Internationalists in Inter-War Italy:
Mario Prayer- Postscript.
Interview of Consul General Dr. Gianluca Rubagotti with the Editors of the Volume on Continuing Cultural Exchanges Between Italy and BengalIndex
About the author
Paromita Chakravarti is Professor, Department of English, and has been the Director of the School of Women's Studies, Jadavpur University, Kolkata. She completed her doctoral studies at the University of Oxford, UK. She teaches Renaissance drama, women's writing, sexuality and film studies. Her work in the School of Women's Studies has focused on education and sexuality. Her edited book is
Women Contesting Culture: Changing Frames of Gender Politics in India (2012) and co-edited books are
Shakespeare and Indian Cinemas: 'Shakespeare and Indian Cinemas' (2018) and
Asian Interventions in Global Shakespeare: 'All the World's His Stage' (2021).
Mario Prayer is Professor of Modern and Contemporary History of India at Sapienza University of Rome. His research interests focus on the political and cultural history of 20th-century Bengal, Indo-Italian relations in the inter-war period, Mahatma Gandhi's reconstruction movement and the Panchayats in West Bengal. He is the author of
The 'Gandhians' of Bengal: Nationalism, Social Reconstruction and Cultural Orientations 1920-1942 (2001) and has translated works by Rabindranath Tagore and Manik Bandopadhyay from the original Bengali into Italian.
Summary
It is a collection of 10 essays on the transcultural encounter between Bengal and Italy from the late 19 & 20th century. It explores the largely unknown features of a multifaceted dialogue in the fields of literature, music, architecture, art, cinema, diplomacy, entrepreneurship, travels, education and intellectual engagement.
