Read more
Informationen zum Autor Amanda Anderson is the Andrew W. Mellon Professor of Humanities and English at Brown University, USA, and Director of the School of Criticism and Theory. Prior to joining the Brown faculty in 2012, she taught at Johns Hopkins University, where she served as department chair from 2003-2009. She is the author of The Way We Argue Now: A Study in the Cultures of Theory (2006), The Powers of Distance: Cosmopolitanism and the Cultivation of Detachment (2001), and Tainted Souls and Painted Faces: The Rhetoric of Fallenness in Victorian Culture (1993). Prof Anderson has also co-edited, with Joseph Valente, Disciplinarity at the Fin de Siècle (2002). Harry E. Shaw is Professor of English at Cornell University, USA, where he has been teaching since 1978. Specializing in nineteenth-century English novels and narrative poetics, he explores the influence of the British novel on the rise of historical consciousness in Europe, and the ways in which novels help us conceptualize our place in history. He is the author of The Forms of Historical Fiction: Sir Walter Scott and his Successors (1983) and Narrating Reality: Austen, Scott, Eliot (1999), and co-author of Reading the Nineteenth-Century Novel: Austen to Eliot 2008. Klappentext This collection offers students and scholars of Eliot's work a timely critical reappraisal of her corpus, including her poetry and non-fiction, reflecting the latest developments in literary criticism. It features innovative analysis exploring the relation between Eliot's Victorian intellectual sensibilities and those of our own era.* A comprehensive collection of essays written by leading Eliot scholars* Offers a contemporary reappraisals of Eliot's work reflecting a broad range of current academic interests, including religion, science, ethics, politics, and aesthetics* Reflects the very latest developments in literary scholarship* Traces the revealing links between Eliot's Victorian intellectual concerns and those of today Zusammenfassung This collection offers students and scholars of Eliot s work a timely critical reappraisal of her corpus, including her poetry and non-fiction, reflecting the latest developments in literary criticism. Inhaltsverzeichnis Notes on Contributors ix Introduction 1 Amanda Anderson and Harry E. Shaw Part I: Imaginative Form and Literary Context 19 1 Eliot and Narrative 21 Monika Fludernik 2 Metaphor and Masque 35 Michael Wood 3 "It Is of Little Use for Me to Tell You": George Eliot's Narrative Refusals 46 Robyn Warhol 4 Surprising Realism 62 Caroline Levine 5 Two Flowers: George Eliot's Diagrams and the Modern Novel 76 John Plotz Part II: Works 91 6 Scenes of Clerical Life and Silas Marner: Moral Fables 93 Stefanie Markovits 7 Adam Bede: History's Maggots 105 Rae Greiner 8 The Mill on the Floss and "The Lifted Veil": Prediction, Prevention, Protection 117 Adela Pinch 9 Romola: Historical Narration and the Communicative Dynamics of Modernity 129 David Wayne Thomas 10 Felix Holt: Love in the Time of Politics 141 David Kurnick 11 Middlemarch: January in Lowick 153 Andrew H. Miller 12 Daniel Deronda: Late Form, or After Middlemarch 166 Alex Woloch 13 Poetry: The Unappreciated Eliot 178 Herbert F. Tucker 14 Essays: Essay v. Novel (Eliot, Aloof) 192 Jeff Nunokawa 15 Impressions of Theophrastus Such: "Not a Story" 204 James Buzard Part III: Life and Reception 217 16 The Reception of George Eliot 219 James Eli Adams 17 George Eliot Among Her Contemporaries: A Life Apart 233 Ly...
