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The Routledge Companion to Twentieth and Twenty-First Century Latin American Literary and Cultural Forms

English · Paperback / Softback

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The Routledge Companion to Twentieth and Twenty-First Century Latin American Literary and Cultural Forms brings together a team of expert contributors in this critical and innovative volume.
Highlighting key trends within the discipline, as well as cutting-edge viewpoints that revise and redefine traditional debates and approaches, readers will come away with an understanding of the complexity of twenty-first-century Latin American cultural production and with a renovated and eminently contemporary understanding of twentieth-century literature and culture.
This invaluable resource will be of interest to advanced students and academics in the fields of Latin American literature, cultural studies, and comparative literature.

List of contents

Acknowledgments
Introduction
Guillermina De Ferrari and Mariano Siskind

Part I
Not the Way You Remember: Reshuffled Traditions and Historical Formations


  1. Avant-Gardes in Latin America: A Polemical Intervention on Historical and Neo-Vanguardias

  2. Fernando J. Rosenberg


  3. A Material World: On the Literary Invention of the Latin American Queer Body

  4. Javier Guerrero


  5. Economic Impact: Narrative Traces of Money, Crisis, and Work

  6. Alejandra Laera


  7. Neoliberalism in Latin America: Sequences, Struggles, Institutions

  8. Verónica Gago


  9. Gore Capitalism, Borderization, and Fascism 2.0

  10. Sayak Valencia


  11. Formations of Sense

  12. Horacio Legrás


  13. What Is Popular Art?

  14. Karen Benezra


  15. Work's Figures, Work's Forms

  16. Sarah Ann Wells


  17. Literature and Revolution in Latin America

  18. Juan E. De Castro


  19. The Reactionary Genealogies of Latin American Literature

  20. Benjamin Loy


  21. The Political Art of Memory in Latin America

  22. Victor Vich and Alexandra Hibbett


  23. Decolonizing Indigenous Literatures

  24. Arturo Arias


  25. Bound to Beauty: The Cultural Politics of Feminist Writerly Formations

  26. Victoria Liendo


  27. Gisèle Freund's Latin America: The Cosmopolitan Promises of Modern Photography

  28. Alejandra Uslenghi

    Part II
    Virtually Anywhere: Dislocated Boundaries and Porous Cartographies

  29. Peopling Latin Americanism

  30. Fernando Degiovanni


  31. Literary Exchanges between Latin America and Spain during the Spanish Civil War

  32. Jesús Cano Reyes


  33. The Orient, the Rim, and the World

  34. Rosario Hubert


  35. Rethinking South-South Globalities: The Indian Connection

  36. Alexandra Ortiz Wallner


  37. Liberian Signifiers and the Crisis of Latin American Cosmopolitan Imaginaries

  38. Mariano Siskind


  39. The End of Landscape: Brumadinho, the Capitalocene, and the Collapse of Form

  40. Jens Andermann


  41. Urban and Environmental Scales of Belonging in the Digital Age

  42. Bruno Carvalho


  43. Natural Borders and Animal Life: Inhabiting Guantánamo

  44. Esther Whitfield


  45. Art and Debt in the Oldest Colony: Creative Resistance in Contemporary Puerto Rican Culture

  46. Charlotte Rogers

    Part III
    A Bigger Toolbox: Thinking Patterns and Contemporary Interrogations

  47. Being River: Ambient Poetics and Somatic Experiences of More-than-Human Flows

  48. Lisa Blackmore


  49. Ecocriticism

  50. Gisela Heffes


  51. Energy Aesthetics: Sandú Darié's Film Petróleo cubano

  52. Rachel Price


  53. The Afterlives of Biopolitics

  54. Gabriel Giorgi


  55. Infrastructure Studies and Literature in Latin America and the Caribbean

  56. Nicole Fadellin


  57. Afrofuturismo: Aesthetics and Interpretation

  58. Persephone Braham


  59. Birthing Ourselves: Black Womanhood and Epistemological Marronage in Latin American and Caribbean Literatures

  60. Odette Casamayor-Cisneros


  61. A Horizontal Hospitality

  62. Guillermina De Ferrari


  63. Queer and Trans Critique in the Caribbean and Latin America

  64. Lawrence La Fountain-Stokes


  65. The Affective Turn According to Latin America, and Vice-Versa

  66. Cecilia Macón


  67. Sound Studies and Literature in Latin America

  68. Anke Birkenmeier


  69. Imagining and Undoing Masculinity in Jorge Luis Borges's Poetry and Prose Fiction

  70. Idelber Avelar


  71. The Global South, Resistance, and the Anthropocene: A Long Walk in the Great Night

  72. Luís Madureira


  73. Él no es: Infrapolitics and the Experience of Tragedy

  74. Gareth Williams

    Part IV
    Beyond the Book: Unbound Objects and Unfettered Critical Practices

  75. Distorting Latinamericanism

  76. Erin Graff Zivin


  77. Sensationalism

  78. Sergio Delgado Moya


  79. Nature and Labor in Literary Form

  80. Héctor Hoyos


  81. Cartonera Publishers: Of Cardboard Boxes and Cultural Capital

  82. Paloma Celis Carbajal


  83. Institutions: Prizes, Presses, and Book Fairs

  84. Gesine Müller


  85. Material Technologies in Print: Posters and Clippings in Latin American Magazines from the First Half of the Twentieth Century

  86. Antonia Viu

  87. Tracking Dance in Latin American Literature

  88. Michelle Clayton


  89. New Forms of Musical Belonging in Contemporary Brazil

  90. Falina Enríquez


  91. Critical Performances: The Scream, the Green Tide, and the Spider as Embodied Feminist Articulations

  92. Marcela A. Fuentes


  93. Exteriority, Extension, Expansion: Photography and Theatricality in Chilean Arts

  94. Natalia Brizuela


  95. Media Archaeology and e-Literature

  96. Phillip Penix-Tadsen


  97. Experimental Literary Forms in the Digital Age: Sampling Quantum Poetics, Hypermedia Narratives, and Robopoetic Hacking

Scott Weintraub
Index

About the author










Guillermina De Ferrari is Halls-Bascom Professor of Caribbean Literatures and Visual Cultures at the University of Wisconsin-Madison. She is a 2020 Guggenheim Fellow and has published extensively on Caribbean Literatures and Visual Cultures. She is the author of Vulnerable States: Bodies of Memory in Contemporary Caribbean Fiction (2007), Community and Culture in Post-Soviet Cuba (2014), and Apertura: Photography in Cuba Today (2015). She is coeditor of the Routledge series Literature and Contemporary Thought.
Mariano Siskind is Professor of Romance Languages and Literatures and Comparative Literature at Harvard University. He is the author of Cosmopolitan Desires: Global Modernity and World Literature in Latin America (2014), Rumo a um cosmopolitismo da perda. Ensaio sobre o fim do mundo (2020) and The Modernist Songbook. Standards y variaciones sobre formas muertas (2021). He has edited Homi Bhabha's Nuevas minorías, nuevos derechos (2013) and has coedited with Sylvia Molloy Poéticas de la distancia. Adentro y afuera de la literatura argentina (2006); with Gesine Müller, World Literature, Cosmopolitanism, Globality: Beyond, Against, Post, Otherwise (2019). In 2022 he will publish the collection of essays Dislocaciones y fin de eso que ya no es mundo, and is working on another one, tentatively titled About the End of the World: The Demise of Cosmopolitanism in Contemporary Culture.


Summary

This Companion brings together a team of expert contributors in this critical and innovative volume. This invaluable resource will be of interest to advanced students and academics in the fields of Latin American literature, cultural studies, and comparative literature.

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