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Despite his significant influence as a courtier, diplomat, playwright and Restoration theatre manager, Thomas Killigrew (1612-1683) remains a comparatively elusive and neglected figure. The original essays in this interdisciplinary volume shine new light on a singular, contradictory seventeenth-century Englishman 400 years after his birth. They inc
List of contents
Introduction ‘A Man of Much Plot’, Philip Major; Chapter 1 From Court to Cockpit: The Prisoners and Claricilla in Repertory, Collins Eleanor; Chapter 2 Tradition and Innovation in The Parson’s Wedding, Victoria Bancroft; Chapter 3 Thomas Killigrew, Theatre Manager, David Roberts; Chapter 4 Henry Killigrew and Dramatic Patronage at the Stuart Courts, Karen Britland; Chapter 5 Thomas Killigrew’s Thomaso as Two-Part Comedy, Marcus Nevitt; Chapter 6 Recycling the Exile: Thomaso, The Rover and the Critics, J.P. Vander Motten; Chapter 7 ‘A Gentleman of Great Esteem with the King’: The Restoration Roles and Reputations of Thomas Killigrew, Geoffrey Smith; Chapter 8 ‘This Lemon in mine eye’: Writing the Exile in Thomas Killigrew’s The Pilgrim, Philip Major;
About the author
Philip Major teaches English at Birkbeck College, University of London. He is also editor of the collection Literatures of Exile in the English Revolution and its Aftermath, 1640-1690, and author of Writings of Exile in the English Revolution and Restoration.
Summary
Despite his significant influence as a courtier, diplomat, playwright and Restoration theatre manager, Thomas Killigrew (1612-1683) remains a comparatively elusive and neglected figure. The original essays in this interdisciplinary volume shine new light on a singular, contradictory seventeenth-century Englishman 400 years after his birth. They inc