Fr. 66.00

Retheorizing Shakespeare through Presentist Readings

English · Paperback / Softback

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Description

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This book offers a theoretical rationale for the emerging presentist movement in Shakespeare studies and goes on to show, in a series of close readings, that a presentist Shakespeare is not an anachronism. Relying on a Brechtian aesthetic of "naïve surrealism" as the performative model of the early modern, urban, public theater, James O'Rou


List of contents

Introduction: Retheorizing Shakespeare 1. Spectres of Intention: Epic Theatre and the Lessons of Theory 2. Boys Will Be Boys: Subtexts and Afterthoughts in the Comedies 3. Racism and Homophobia in The Merchant of Venice 4. Love and Object-Cathexis in Troilus and Cressida: Just One of Those Things 5. The Exotic/Erotic and the Group: Othello 6. King Lear and the Art of Dying Notes Performance Bibliography Index

About the author

James O’Rourke is a Professor in the Department of English, Florida State University, US. His previous books include Sex,Lies and Autobiography: The Ethics of Confession and Keats’s Odes and Contemporary Criticism.

Summary

This book offers a theoretical rationale for the emerging presentist movement in Shakespeare studies and goes on to show, in a series of close readings, that a presentist Shakespeare is not an anachronism. Relying on a Brechtian aesthetic of "naïve surrealism" as the performative model of the early modern, urban, public theater, James O’Rou

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