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Interpreting Violence examines the ethics of engaging with representations of violence from a broad hermeneutic perspective. It offers multidisciplinary perspectives on the sense-making involved in interpreting violence in its various forms, from blatant physical violence to less visible forms
List of contents
List of contributorsInterpreting Violence, Violent Interpretations: Introduction
Cassandra Falke, Victoria Fareld and Hanna Meretoja
Part I. Representing Violence, Violent Representations
- Witnessing Violence in Literature and Humanitarian Discourse
Cassandra Falke (UiT - The Arctic University of Norway)
- Memory, Encore! Popular Music, Power and Postwar Memory
Avril Tynan (Turku Institute for Advanced Studies)
- Rethinking Planetarity in the Specter of (Neo)colonial Violence: The Strangler Vine and 'Thugs' in America
Amrita Ghosh (Linneaus University)
- Variants and Consequences of Violence in Iris Murdoch's The Sacred and Profane Love Machine
Jakob Lothe (University of Oslo)
- Violent Appetites: Distaste and the Aesthetics of Violence
Tero Eljas Vanhanen (University of Helsinki)
Part II. Understanding the Violence of Perpetrators
- A Manifesto on the Hermeneutics of Violence
Brian Schiff and Michael Justice (American University of Paris)
- Narrative Mastery over Violence in Perpetrator-Authored Documents: Interpreting Closure in The Stroop Report
Erin McGlothlin (Washington University)
- Space of Murder, Space of Freedom: The Forest as a Posttraumatic Landscape in Holocaust Narratives
Helena Duffy (Turku Institute for Advanced Studies)
Part III. Articulating Inherent Violence
- Physical, Emotional and Discursive Violence: The Problem of Narrative in Karl Ove Knausgård's My Struggle
Hanna Meretoja (University of Turku)
- Reading Violence, Violent Reading: Levinas and Hermeneutics
Colin Davis (Royal Holloway, University of London)
- Style and the Violence of Passivity in Samuel Beckett's How It Is.
Amanda Dennis (American University of Paris)
- Vulnerability, Violence and Nonviolence
Victoria Fareld (Stockholm University)
Index
About the author
Cassandra Falke is Professor of English Literature at UiT - The Arctic University of Norway. She is the author of three books and the editor or co-editor of three others:
Intersections in Christianity and Critical Theory (ed. 2010),
Literature by the Working Class: English Autobiography, 1820-1848 (2013),
The Phenomenology of Love and Reading (2016),
Phenomenology of the Broken Body (co-ed., 2019),
Wild Romanticism (co-ed. 2020), and
Global Human Rights Fiction (forthcomig). She is the President of the American Studies Association of Norway and leads the English literature section at UiT and the Interdisciplinary Phenomenology research group.
Victoria Fareld is Associate Professor of Intellectual History at Stockholm University. Her research focuses mainly on political philosophy, theory of history and memory studies, with particular interests in the connections between time, ethics, memory and historical justice. Her most recent book is
From Marx to Hegel and Back: Capitalism, Critique, and Utopia (co-ed, 2020). Among her recent articles and book chapters are "Time" (2022), "Framing the Polychronic Present" (2022), "Entangled Memories of Violence" (
Memory Studies,
14:1, 2021), "Coming to Terms with the Present," (2019) and "History, Justice and the Time of the Imprescriptible" (2018).
Hanna Meretoja is Professor of Comparative Literature and Director of SELMA: Centre for the Study of Storytelling, Experientiality and Memory at the University of Turku, nland, and Principal Investigator in the Academy of Finland research consortium "Instrumental Narratives: The Limits of Storytelling and New Story-Critical Narrative Theory" (2018-2023). Her research is mainly in the fields of narrative studies, cultural memory studies and trauma studies. Her monographs include
The Ethics of Storytelling: Narrative Hermeneutics, History, and the Possible (2018) and
The Narrative Turn in Fiction and Theory (2014), and she has co-edited, with Colin Davis,
The Routledge Companion to Literature and Trauma (2020) and
Storytelling and Ethics: Literature, Visual Arts and the Power of Narrative (2018), and the special issues "Cultural Memorial Forms" (
Memory Studies, 2021, with Eneken Laanes) and "Critical Approaches to the Storytelling Boom" (
Poetics Today, 2022, with Maria Mäkelä).
Summary
Interpreting Violence examines the ethics of engaging with representations of violence from a broad hermeneutic perspective. It offers multidisciplinary perspectives on the sense-making involved in interpreting violence in its various forms, from blatant physical violence to less visible forms
