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The fourth volume in the Docalogue series, this book explores the significance of the documentary Honeyland (2019) in relation to documentary ethics, the representation of human and animal relations, environmental studies, genre theory, and documentary distribution.
List of contents
Introduction: the
I and
Thou of
Honeyland 1. Salvaging the bees:
Honeyland and the paradox of the observational fable 2. Ethological realism in
Honeyland 3. "In Europe, no one was paying attention":
Honeyland on the festival circuit 4. Observational time zones: the ethics of
Honeyland 5. Feeling
a life: sympoietic aesthetics in
Honeyland
About the author
Jaimie Baron is a Professor of Film Studies at the University of Alberta. She is the author of two books,
The Archive Effect: Found Footage and the Audiovisual Experience of History (2014) and
Reuse, Misuse, Abuse: The Ethics of Audiovisual Appropriation in the Digital Era (2020), and numerous journal articles and book chapters. She is also the director of the Festival of (In)appropriation, a yearly international festival of short experimental found footage films and videos.
Kristen Fuhs is an Associate Professor of Media Studies at Woodbury University. She writes about documentary film, the American criminal justice system, and contemporary celebrity, and her work has appeared in journals such as
Cultural Studies, the
Historical Journal of Film, Radio, and Television, and the
Journal of Sport & Social Issues.
Summary
The fourth volume in the Docalogue series, this book explores the significance of the documentary Honeyland (2019) in relation to documentary ethics, the representation of human and animal relations, environmental studies, genre theory, and documentary distribution.
