Fr. 66.00

The Idea of Europe in British Travel Narratives, 1789-1914

English · Paperback / Softback

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Description

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Showing how specific rhetorical strategies used in nineteenth-century British travel writing produced fictional representations of continental Europe in works by Ann Radcliffe, Lord Byron, Charles Dickens, and Bram Stoker, Katarina Gephardt argues that nineteenth-century writers envisioned their country simultaneously as distinct from the Continent

List of contents

Chapter 1 Introduction Imagining the Continent; Chapter 1a Hybrid Gardens: Nationalization of Taste, Travel Writing, and Ann Radcliffe's Continental Landscapes; Chapter 2 The Occidentalist Costume: Lord Byron and Travelers' Perspectives on Eastern Europe; Chapter 3 From the Prison of the Nation: Tourism, Anglo-Italian Dialogue, and Mid-Victorian Remapping of Italy; Chapter 4 The Mirror Image: British Travel Writing and Bram Stoker's Eastern Europe; Chapter 5 Postscript Dense Westerners and Persistent Peripheries: Edwardian Fictions of Europe and Beyond;

About the author

Katarina Gephardt is Associate Professor of English at Kennesaw State University. She has published on nineteenth-century British literature, travel writing, and pedagogy, and her other research interests include postcolonial studies and Central European literature.

Summary

Showing how specific rhetorical strategies used in nineteenth-century British travel writing produced fictional representations of continental Europe in works by Ann Radcliffe, Lord Byron, Charles Dickens, and Bram Stoker, Katarina Gephardt argues that nineteenth-century writers envisioned their country simultaneously as distinct from the Continent

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