Fr. 35.50

The Extended Universe - How Disney Killed the Movies and Took Over the World

English · Hardback

Will be released 24.02.2026

Description

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A provocative history of Disney's rise to cultural dominance, pulling skeletons from the corporate closet to decode the political messages hidden in all of your favorite childhood movies.

In The Extended Universe, Vicky Osterweil takes us on a quest to discover how Disney's "imagineers" have made it impossible to reflect on the wonders of growing up without thinking of Disney's movies, amusement parks, and merchandising. Drawing on extensive interviews with filmmakers, screenwriters, union organizers, and Disney "adults" alike, Osterweil unearths reactionary political commitments and maleficent legal maneuvers so cartoonishly evil they would make one of Walt's own animated villains blush.

Along the way, Osterweil braids together corporate skullduggery with a not entirely unsympathetic analysis of some of Disney's most famous movies. The result is an entertaining and convincing case that Disney's entire business model has been built upon a ruthless and fanatical insistence on intellectual property rights-from Steamboat Willie to Infinity Wars and beyond!


List of contents










Introduction



Chapter 1: Mickey Mouse Wants You To Get COVID



Chapter 2: Endgame



Chapter 3: Whistle While You Work



Chapter 4:The Fairest of Them All



Chapter 5: Reanimating the Plantation



Chapter 6: Think Happy Thoughts



Chapter 7: I Just Can't Wait To Be King



Chapter 8: You Wouldn't Download A Pirate Ship



Chapter 9: The Mouse Is The Real Chef



Chapter 10: The Universe Extends



Chapter 11: The Empire Must Be Defended



Chapter 12: Wakanda Forever



Chapter 13: A Small World After All



Chapter 14: Deja Vu

About the author










Vicky Osterweil is a Philadelphia-based writer, agitator, and brickmason whose first book, In Defense of Looting, described historical struggles for liberation in the US. She is a member of the anarchist journal CAW and has written about the intersections of film, politics, and culture for publications such as The Paris ReviewArt in AmericaAl Jazeera AmericaThe BafflerDissentLux Magazine, and The New Inquiry, where she was also a culture editor for many years.


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