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Tracing the "American Guerrilla" narrative through more than one hundred years of film and television, this book shows how the conventions and politics of this narrative influence Americans to see themselves as warriors, both on screen and in history.American guerrillas fight small-scale battles that, despite their implications for large-scale American victories, often go untold. This book evaluates those stories to illumine the ways in which film and television have created, reinforced, and circulated an "American Guerrilla" fantasy-a mythic narrative in which Americans, despite having the most powerful military in history, are presented as underdog resistance fighters against an overwhelming and superior occupying evil.
Unconventional Warriors: The Fantasy of the American Resistance Fighter in Television and Film explains that this fantasy has occupied the center of numerous war films and in turn shaped the way in which Americans see those wars and themselves.
Informed by the author's expertise on war in contemporary literature and popular culture, this book begins with an introduction that outlines the basics of the "American Guerrilla" narrative and identifies it as a recurring theme in American war films. Subsequent chapters cover one hundred years of American "guerrillas" in film and television. The book concludes with a chapter on science fiction narratives, illustrating how the conventions and politics of these stories shape even the representation of wholly fictional, imagined wars on screen.
List of contents
AcknowledgmentsIntroductionChapter 1The Indian Fighters on Screen
Chapter 2Imagining Revolutionaries: The American Revolution in Film and Television
Chapter 3"Honorable" Outlaws: The American Guerilla in Civil War Films
Chapter 4Global Freedom Fighters: American Resistance Fighters in World War II Films
Chapter 5Becoming Charlie: Appropriating the Guerilla and the Legacy of the War in Viet Nam
Chapter 6Fantasy Wars, Guerilla Fantasies
NotesBibliographyIndex
About the author
Matthew B. Hill, PhD, is Professor of English in the Humanities Department at Coppin State University, in Baltimore, MD. His work focuses on 20th and 21st century warfare in literature, film, and popular culture. His previous books include Dystopian States of America: Apocalyptic Visions and Warnings in Literature and Film (ABC-CLIO 2022) and Unconventional Warriors: The Fantasy of the American Resistance Fighter in Film and Television (Praeger 2018). He is the co-editor, with Andrew Schopp, of The War on Terror and American Popular Culture (2009). His essays have appeared in War, Literature, and the Arts, The Mid-Atlantic Almanack, The Journal of Popular Culture, Extrapolation, and The Journal of American Culture.
