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Shakespeare's plays were written some four hundred years ago, and while his characters are enduring, they are also alien. In grappling with the text of his plays, the modern actor must bring Shakespeare's Renaissance characters to life for a modern audience. And while it is difficult enough for twentieth-century spectators to make sense of the plays, it is also hard for modern actors to understand the Elizabethan world that created the personalities so vividly sketched in Shakespeare's texts. This reference is a convenient and practical guide for actors faced with the task of playing Shakespeare's characters.
The volume begins with an overview of Elizabethan theatrical conventions, including the training of actors. It then looks at the dramatic tradition of personification, which Shakespeare's world inherited from the medieval stage. Later chapters give special attention to how language reveals character and to the social and cultural contexts of the Renaissance. Throughout, the emphasis is on how to translate Shakespeare's text into action on the stage. While the volume contains much useful information, that information is presented to meet the special needs of theater professionals.
List of contents
Bringing Shakespeare to the Modern Stage
The Conditions of Rehearsal and Performance
Theatrical Conventions
The Theatrical Traditions of Personification
A Character's Language
Moving Metaphors
The Power of the Word
The Fallacy of Universality
About the author
LESLIE O'DELL is Associate Professor of Theatre and English at Wilfrid Laurier University and Text Consultant for the Stratford Festival in Ontario.
