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The preponderance of early Black composers wrote choral music and even the most outstanding among them did not compose works for woodwinds. However, the later half of the twentieth century has witnessed a rise in compositions for woodwinds, both for solo and chamber ensembles by relatively unknown Black composers. This pioneering volume will become the standard source of information on nineteenth and twentieth century Black composers from three continents as well as their woodwind compositions. It contains the most current and complete biographical data on 90 African composers, Afro-American composers, Afro-Latin composers, and Afro-European composers, including their education and professional experience and information on their continuing musical influence. A distinctive feature is the separate, easy-to-use woodwind music index of both published and unpublished works for solo and chamber ensembles that groups the music by medium and numbers into 27 categories that contain some 430 works. Exact instrumentation, dedication or commission, premiere performance, and publisher are also found here. A list of abbreviations, key to publishers, collections, and manuscripts, and a discography of 38 recordings of woodwind works by 26 of the included composers complete the volume.
This first bibliography of woodwind music by Black composers is an excellent reference work for Black composers, for the woodwind repertoire, and for American music in general. It will be highly useful in college-level courses such as
Survey of Afro-American Music and Woodwind Literature as well as to woodwind players, ensemble directors, and scholars.
List of contents
Foreword
Key to Publishers, Collections, and Manuscripts
Biographical Background and a Bibliography of Black Composers and their Woodwind Works
African Composers
Afro-American Composers
Afro-Latin Composers
Afro-European Composers
Woodwind Music Index
Discography
Bibliography
About the author
AARON HORNE is Professor of Music at Northeastern Illinois University. He is presently on leave, serving as Interim Chair, Department of African American Studies, Western Illinois University. Among his earlier publications are Woodwind Music of Black Composers, String Music of Black Composers, and Keyboard Music of Black Composers (Greenwood Press, 1990, 1991, and 1992 respectively).
