Read more
The end of the world may be upon us, but it certainly is taking its sweet time playing out. The walkers on
The Walking Dead have been walking for nearly a decade. There are now dozens of apocalyptic television shows and we use the end times to describe everything from domestic politics and international conflict, to the weather and our views of the future. This collection of new essays asks what it means to live in a world inundated with representations of the apocalypse. Focusing on such series as The Walking Dead, The Strain, Battlestar Galactica, Doomsday Preppers, Westworld, The Handmaid's Tale, they explore how the serialization of the end of the world allows for a closer examination of the disintegration of humanity--while it happens. Do these shows prepare us for what is to come? Do they spur us to action? Might they even be causing the apocalypse?
List of contents
Table of ContentsAcknowledgments
Introduction: Apocalyptic Saturations; or, The End of the World Will Not
Michael G. Cornelius and Sherry Ginn
Apocalyptic Television, Hobbes's Moral Psychology and the Tenuous Nature of Liberal Democratic Values
William S. Allen
Post-Apocalyptic Competition and Cooperation in The Handmaid's Tale and The Walking Dead
Sherry Ginn
The Long Winter of Discontent: The Changing Society of Survivors
Fernando-Gabriel Pagnoni Berns, Juan Ignacio Juvé and Emiliano Aguilar
Risk Without End? The Seriality of Risk, the Outbreak Narrative and Serial Post-Apocalypse in Guillermo del Toro and Chuck Hogan's The Strain
Sebastian Müller
Driven to Extinction, Again: Cadillacs and Dinosaurs and the Irresistible Apocalypse
Tony Perrello and C. Anne Engert
The End of Everything: Survival Narratives and Everyday Heroism in Battlestar Galactica
E. Leigh McKagen
Apocalypse(s) Already: Doomsday Preppers at the End of The(ir) Worlds
JZ Long
Reinvesting in the Rapture: Apocalypse and Faith in The Leftovers
Christina Wilkins
Social Life and Death in The Leftovers: Surviving the Personal Apocalypse
Derek R. Sweet
"How many times have I died?": Time Loops, Post-Human Reversion and the Editable Self in The Magicians
Michael G. Cornelius
Westworld and the Apocalyptic Cycle
Adam Ellerbrock
Postnatural Comedy in The Last Man on Earth
John Elia
Appendix 1: Apocalypse Television Series
Appendix 2: "Darkness"
Lord Byron
About the Contributors
Index
About the author
Michael G. Cornelius is a professor of English and director of the Master's of Humanities program at Wilson College in Chambersburg, Pennsylvania. He is an award-winning novelist and the author or editor of numerous scholarly works.Sherry Ginn is a retired educator currently living in North Carolina. She has authored books examining female characters on science fiction television series as well as the multiple television worlds of Joss Whedon. Edited collections have examined sex in science fiction, time travel, the apocalypse, and the award-winning series Farscape, Doctor Who, and Fringe.
