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This groundbreaking film study begins with a survey of American print humorists from eras leading up to and overlapping the advent of film--including some who worked both on the page and on the screen, like Robert Benchley, Will Rogers, Groucho Marx and W. C. Fields. Six comic film genres are identified as outgrowths of a national tradition of Cracker Barrel philosophers, personality comedy, parody, screwball comedy, romantic comedy and dark comedy. Whether it is Mark Twain or a parody film involving Steve Martin, comedy is most often about blowing "raspberries" at the world, and a reminder you are not alone.
List of contents
Table of ContentsForeword by Ashley M. Donnelly
Preface and Acknowledgments
Prologue: Core Comic Film Genres and Print Humor Ties
deleteOne.¿An American Print Humor Survey Prior to American Film Comedy
deleteTwo.¿Personality Comedian
Three.¿Crackerbarrel Populism
¿Four.¿Parody
deleteFive.¿Screwball Comedy (American Farce)
delete¿Six.¿Romantic Comedy
Seven.¿Dark Comedy
Epilogue: Exit Laughing
Chapter Notes
Bibliography
Index
About the author
Wes D. Gehring is a distinguished professor of film at Ball State University and associate media editor for USA Today magazine, for which he also writes the column "Reel World." He is the author of 40 film books, including biographies of James Dean, Carole Lombard, Steve McQueen, Robert Wise, Red Skelton and Charlie Chaplin.
