Fr. 39.50

Horror in Space - Critical Essays on a Film Subgenre

English · Paperback / Softback

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In sharp contrast to many 1960s science fiction films, with idealized views of space exploration, Ridley Scott's Alien (1979) terrified audiences, depicting a harrowing and doomed deep-space mission. The Alien films launched a new generation of horror set in the great unknown, inspiring filmmakers to take Earth-bound franchises like Leprechaun and Friday the 13th into space.
This collection of new essays examines the space horror subgenre, with a focus on such films as Paul W.S. Anderson's Event Horizon, Duncan Jones' Moon, Mario Bava's Planet of the Vampires and John Carpenter's Ghosts of Mars.
Contributors discuss how filmmakers explored the concepts of the final girl/survivor, the uncanny valley, the isolationism of space travel, religion and supernatural phenomena.

List of contents










Table of Contents

Acknowledgments

Introduction

Part One: Horror Made in America

John Carpenter of Mars: Space Horror in the Films

of John Carpenter (Ben Kooyman)

The Cold, White Reproduction of the Same: A New Hypothesis

About John Carpenter's The Thing (Dario Altobelli)

Meteor Madness: Lovecraftian Horror and Consumerism

in the Battle for Small Town USA (Nicholas Diak)

"It (never actually) came from outer space": ­Earth-Origin

Threats in Space Horror Films (Kevin J. Wetmore, Jr.)

Part Two: Time and Space in a Sea of ­Post-Modern Isolation

Nonknowledge and Inner Experience: A ­Post-Modern Rhetoric

of Space Horror (Gavin F. Hurley)

Out of Space-Out of Time: Looking at the Factors of Time

in Space Horror Movies (Juliane Schlag)

We're All Alone, Out Here: Isolation and Its Contribution

to Space Horror in Film (Janet Joyce Holden)

That Moon Is Romantic: Duncan Jones's Dark Fairy Tale (Adam M. Crowley)

Part Three: The Uncanny Body

The Architecture of ­Sci-Fi Body Horror: Mechanical

­Building-Bodies and Organic Invasion from Deep Space to the Anthropocene (Brenda S. Gardenour Walter)

Ghosts in the Machine: Emotion and Haunting in the Creation of the Irrational Robot (Casey Ratto)

Part Four: The Devil Made Me Betwixt and Between: Magic, Science and the Devil's Place in Outer Space (Andrew P. Williams)

Under the Influence: Undead Planets and Vampiric Dreamworlds in Outer Space (Simon Bacon)

Part Five: Play It Again or Rip It Off

A "family of displaced figures": Posthumanism and ­Jean-Pierre Jeunet's Alien Resurrection (1997) (Charles W. Reick)

Galaxies of Terror in a ­Knock-Off Universe: Atavism and the ­Rip-Off Body Horror of "Aliensploitation" Films (Jason Davis)

Leprechaun 4 and Jason X: Camp, Paracinema and the Postmodern Sequel (Kevin Chabot)

About the Contributors

Index


About the author

Michele Brittany is the book review editor for the Journal of Graphic Novels and Comics and is the co-chair of the Ann Radcliffe Conference held in conjunction with Horror Writers Association's annual Stokercon. She lives in Glendale, Arizona.

Product details

Assisted by Michele Brittany (Editor), Brittany Michele (Editor)
Publisher Ingram Publishers Services
 
Languages English
Age Recommendation from age 18
Product format Paperback / Softback
Released 21.11.2017
 
EAN 9781476664057
ISBN 978-1-4766-6405-7
No. of pages 248
Dimensions 152 mm x 229 mm x 13 mm
Weight 318 g
Illustrations Raster,schwarz-weiss
Subjects Humanities, art, music > Art > Photography, film, video, TV

Horror, PERFORMING ARTS / Film / Genres / Science Fiction & Fantasy, PERFORMING ARTS / Film / Genres / Horror, PERFORMING ARTS / Film / History & Criticism, Film: styles & genres, Film Theory & Criticism, Film: styles and genres, Film history, theory or criticism

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