Fr. 121.20

Text & Presentation, 2021

English · Paperback / Softback

Shipping usually within 2 to 3 weeks (title will be printed to order)

Description

Read more










The seventeenth in a series dedicated to presenting the latest findings in the fields of comparative drama and performance. Featuring eleven essays from the 2021 Comparative Drama Conference in Orlando, this volume includes new research on contemporary plays by Anne Washburn, Will Arbery, Matthew Lopez, Anna Deveare Smith and Qui Nguyen.

List of contents










Table of Contents

Acknowledgments

Preface

A Conversation with Anne Washburn

Laura Snyder

"Shakespeare's #MeToo Play"? Shakespeare and Sexual Politics on the Contemporary Stage

Lee Conderacci

The Embodied Cartoon: The Move Toward Universal in Anne Washburn's Mr. Burns: A ­Post-Electric Play

Ian Downes

The Play in the Bubble: Heroes of the Fourth Turning and Political Isolation in the Time of Covid

Bess Rowen

"It takes a lot of time": Immediacy, Crisis, and the Narrativity of Health in Anna Deavere Smith's Let Me Down Easy

Jeffrey M. Brown

Matthew Lopez's The Inheritance: A Queer Adaptation of Forster's Howards End

David Pellegrini

Rap Battles with David Henry Hwang: The Playwright's Voice in Qui Nguyen's The Inexplicable Redemption of Agent

Dan Bacalzo

Including the Excluded: Dramatizing Historical Struggle Narratives Reveals Science's Hidden Figures

Denise Gillman, Danielle Hartman,

and Shannon McNeely

A Distant Princess and a Mystic's Well: Forerunners of Cyrano's Tragicomedy

Jeffrey B. Loomis

An Actress Prepares: How Typecasting for Women in Theatre Perpetuates Cycles of Trauma

Sarah Elizabeth Keyes

Power Dynamics in Theatre Education: How Classroom Practices Act as Psychological Grooming for Damaging Systems in Professional Theatre

Hilary M.K. Moore

The Body Electric: Using Neuroscience and Theater to Reclaim Empathy in the ­Twenty-First Century

Tracy Bersley

Review of Literature: Selected Books

Kevin Winkler. Everything Is Choreography: The Musical Theater of Tommy Tune

Jay Malarcher

Henry Schvey. Blue Song: St. Louis in the Life and Work of Tennessee Williams

Benjamin P. Stanford

Laura Bissell and Lucy Weir, eds. Performance in a Pandemic

Maria-Elena Doyle

Pamela Bickley and Jenny Stevens. Studying Shakespeare Adaptation: From Restoration Theatre to YouTube

Verna A. Foster

Chantal Bilodeau and Thomas Peterson, eds. Lighting the Way: An Anthology of Short Plays About the Climate Crisis

Ben Stasny

Anne Bogart. The Art of Resonance

Thomas L. Rothacker

Miriam M. Chirico and Kelly Younger, eds. How to Teach a Play: Essential Exercises for Popular Plays

Deana Nichols

Index


About the author










Amy Muse is a professor of English at the University of St. Thomas in St. Paul, Minnesota. She has written a book on Sarah Ruhl as well as essays on drama, intimacy, and travel.

Summary

The seventeenth in a series dedicated to presenting the latest findings in the fields of comparative drama and performance. Featuring eleven essays from the 2021 Comparative Drama Conference in Orlando, this volume includes new research on contemporary plays by Anne Washburn, Will Arbery, Matthew Lopez, Anna Deveare Smith and Qui Nguyen.

Product details

Assisted by Amy Muse (Editor)
Publisher McFarland
 
Languages English
Product format Paperback / Softback
Released 06.03.2023
 
EAN 9781476682891
ISBN 978-1-4766-8289-1
No. of pages 246
Dimensions 152 mm x 229 mm x 15 mm
Weight 405 g
Series The Comparative Drama Conference Series
Subject Humanities, art, music > Art > Theatre, ballet

Customer reviews

No reviews have been written for this item yet. Write the first review and be helpful to other users when they decide on a purchase.

Write a review

Thumbs up or thumbs down? Write your own review.

For messages to CeDe.ch please use the contact form.

The input fields marked * are obligatory

By submitting this form you agree to our data privacy statement.