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Death is not only the final moment of life, it also casts a huge shadow on human society at large. People throughout time have had to cope with death as an existential experience, and this also, of course, in the premodern world. The contributors to the present volume examine the material and spiritual conditions of the culture of death, studying specific buildings and spaces, literary works and art objects, theatrical performances, and medical tracts from the early Middle Ages to the late eighteenth century. Death has always evoked fear, terror, and awe, it has puzzled and troubled people, forcing theologians and philosophers to respond and provide answers for questions that seem to evade real explanations. The more we learn about the culture of death, the more we can comprehend the culture of life. As this volume demonstrates, the approaches to death varied widely, also in the Middle Ages and the early modern age. This volume hence adds a significant number of new facets to the critical examination of this ever-present phenomenon of death, exploring poetic responses to the Black Death, types of execution of a female murderess, death as the springboard for major political changes, and death reflected in morality plays and art.
About the author
Albrecht Classen, The University of Arizona, Tucson, AZ, USA.
Report
"Gleichwohl liegt hier ein Kompendium vieler interessanter bekannter aber auch neuer Aspekte vor, das einen lebendigen Einblick in einen im persönlichen und öffentlichen Denken gern vernachlässigten Themenbereich bietet."
Franz Neiske in: Franca recensio 2018/1 https://journals.ub.uni-heidelberg.de/index.php/frrec/article/view/45544
"This is the sixteenth volume in a series that has been a steady and significant contributor to key issues in scholarly thought. [...] This collection on death is a worthy addition to previous topics (which include such concepts as war, medicine, and sexuality). Without making claims to comprehensiveness (an impossible goal), the wide-ranging nature of this series highlights shared concepts within the long premodern era, and Death in the Middle Ages and Early Modern Times takes its place as a valuable scholarly resource within this broader corpus."
Charlotte Stanford in: Mediaevistik 29 (2016), 325-328
