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It explores the potentialities of "negative" affect in postcolonial literature and theory. It seeks to rebrand "negative" emotions as productive forces which can confer pleasure, agency, and social progress through literary representation.
List of contents
List of Contributors
Foreword
Acknowledgments
Introduction /
Donald R. Wehrs, Isabelle Wentworth, and Jean-François VernayTHEORETICAL LINEAMENTS: NEGATIVE EMOTIONS AND THE AFFORDANCES OF FICTIONChapter 1: Ontology of Diasporic Emotions in
If You See Me, Don't Say Hi by Neel Patel
/ Angelo MonacoChapter 2: The Productivity of 'Negative Emotions' Through Shock Value Fiction: The Case of Australian Indigenous Writers
/ Jun Feng & Jean-François VernayChapter 3: Negative Emotions in the Light of Neuropsychoanalysis: The Generative Matrix of Witi Ihimaera's Multigenerational Saga
/ Alistair Fox Chapter 4: First-hand Experiences of the Transformation of Traumatic Memories and Cascading Emotions in the Creative Writing Process
/ Liane Gabora & Sue Woolfe. Chapter 5: Managing COVID-19 Anger and Anxiety: The Quarantine Train and the Affective Functions of Online Poetry
/ Hannah Pardey EMOTIONS OF LOSS: Chapter 6: Representing and Resisting Maternal Melancholy in Buchi Emecheta's Second-class Citizen and The Joys of Motherhood
/ Sonya Andermahr Chapter 7: Disaffection and Retrieved Agency in Lahiri's "Interpreter of Maladies"/
Donald R. WehrsChapter 8: On Postcolonial Disappointment: Affect's Formal Politics in Post-Transition Narrative from South Africa
/ Andrew van der Vlies EMOTIONS OF INSECURITYChapter 9: 'Solastalgia' as an Epistemic Approach: "A Map to the Next World," "Averno," and the Power of Negative Affect
/ Joydeep ChakrabortyChapter 10: "The squeals and groans are the same": Horror and Subject-Development in
Sydney Bridge Upside Down / William ShawChapter 11: Fear in Indigenous Literatures of the Global South: The Poetry of Graciela Huinao and Ellen van Neerven
/ Isabelle Wentworth Chapter 12: On Negative Emotions in Apocalyptic Cultural Memories: Literary Affects of Estrangement in "Postcolonial" Acadie
/ Matthew Cormier EMOTIONS OF DISCONTENTChapter 13: "A Cold Rage Penetrated Her Body": The Transformative Power of Anger in Shahrnush Parsipur's
Women Without Men / Mélanie Heydari Chapter 14: On the Other Side of Anger: Nature, Ecology and Culture in Rushdie's
Shalimar, the Clown / Lalita Pandit Hogan Chapter 15: Negative Affect to Positive Resistance: Indignation in Césaire's Une Tempête
/ Bradley Irish Index
About the author
Jean-François Vernay is the author of five monographs including
The Seduction of Fiction: A Plea for Putting Emotions Back into Literary Interpretation (2016), translated into Mandarin by Dr Jun Feng,
La séduction de la fiction (2019), and
Neurocognitive Interpretations of Australian Literature: Criticism in the Age of Neuroawareness (Routledge, 2021). He has also edited a Routledge volume:
The Rise of the Australian Neurohumanities: Conversations Between Neurocognitive Research and Australian Literature, published in 2021. His monographs have been taken up for translation into English, Arabic, Korean, and Mandarin.
Donald R. Wehrs, Hargis Professor of English Literature at Auburn University, Auburn, AL, USA, is editor or co-editor of five collections, most recently
Cultural Memory: From the Sciences to the Humanities (Routledge, 2023) and
The Palgrave Handbook of Affect Studies and Textual Criticism (2017). He is author of four monographs, most recently
Ethical Sense and Literary Significance: Deep Sociality and the Cultural Agency of Imaginative Discourse (Routledge, 2024), as well as essays on literary theory, Shakespeare, postcolonial studies, 18th-century British fiction, and comparative literature.
Isabelle Wentworth is a lecturer in English at the Australian Catholic University. Her research is in cognitive literary criticism, particularly within the contemporary literature of Australia and South America. Her work has been recently published in
Poetics Today,
Textual Practice,
Cognitive Systems Research, and
Hispanic Studies Review, among other international journals. Her first monograph,
Catching Time: Interaction, Cognition, and Temporality in the Novel (Routledge) was published in 2024.
Summary
It explores the potentialities of “negative” affect in postcolonial literature and theory. It seeks to rebrand “negative” emotions as productive forces which can confer pleasure, agency, and social progress through literary representation.
