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From award-winning novelist and cultural critic Lynne Tillman, Thrilled to Death is a collection of selected stories across the career of America’s most audacious writer Among the vanguard of American literary writers, Lynne Tillman’s work has defied categorization throughout her legendary career--a singular body of work that both redefined and reimagined the short story form entirely.; Curated by the author, With argumentative wit, Tillman’s meditations and reflections on art, politics, and culture are animated by deliciously paradoxical characters who desire and fret in turn, and who are imbued with searing intelligence and dolorous ambivalence. Describing Tillman''s writing, Colm Tóibín says: “Her style has both tone and undertone; it attempts to register the impossibility of saying very much, but it insists on the right to say a little. So what is essential is the voice itself, its ways of knowing and unknowing.”
About the author
LYNNE TILLMAN's latest novel is Men and Apparitions. Her most recent book, MOTHERCARE, is an autobiographical essay on caregiving. Her essays and stories appear in Aperture, Bookforum, Frieze, N+1, Granta, Tank, and in art catalogs, artist books, and other magazines. Tillman has received a Guggenheim Fellowship, an Andy Warhol Foundation arts Writers Grant, and The Academy of Arts and Letters Katherine Anne Porter Prize for contributions to literature. She lives in New York with the bassist David Hofstra.
Summary
A New York Times Book Review Editors' Choice
From award-winning novelist and cultural critic Lynne Tillman, Thrilled to Death is a collection of selected stories across the career of America’s most audacious writer
Among the vanguard of American literary writers, Lynne Tillman’s work has defied categorization throughout her legendary career—a singular body of work that both redefined and reimagined the short story form entirely.
Curated by the author, Thrilled to Death is the definitive entry point for both established fans and new readers alike. These selected stories collect a bold, playful, and eclectic ensemble of Tillman’s Borgesian fictions that span decades and traverse themes of sex, death, memory, and anxiety.
With argumentative wit, Tillman’s meditations and reflections on art, politics, and culture are animated by deliciously paradoxical characters who desire and fret in turn, and who are imbued with searing intelligence and dolorous ambivalence. Describing Tillman's writing, Colm Tóibín says: “Her style has both tone and undertone; it attempts to register the impossibility of saying very much, but it insists on the right to say a little. So what is essential is the voice itself, its ways of knowing and unknowing.”
