Hybrid Photography

This book explores the territories where manual, graphic, photographic, and digital techniques interfere and interlace in sciences and humanities.

List of contents

Introduction: Where Does Photography Start? And Where Does it End? A Hybrid Introduction
Sara Hillnhuetter, Stefanie Klamm, Friedrich Tietjen
Part 1: Hybrid Measurement
Sara Hillnhetter
1. Hybrid Photography in the History of Science: The Case of Astronomical Practice
Omar W. Nasim
2. The Map as a Photograph: Theodor Scheimpflug's Balloon Aerial Photogrammetry
Michael Kempf
3. Seen from Above: Wilhelm Halffter's Photographs of 1854, Depicting the Terrain Models of Hermann and Adolph Schlagintweit
Sigrid Schulze
4. In Order of Disappearance: Photography, Measurement and Art Historical Practice in Nineteenth-Century German
Sara Hillnhetter
Part 2: Hybrid Materiality
Stefanie Klamm
5. "Imageability": Aligning Bodies and Imaging Technologies
Kathrin Friedrich
6. Beyond Retouching: Hans Virchow's Mixed Media and His X-ray Drawings of the Lotus Foot
Vera Dünkel
7. From Photography to Printing: the Chronophotography of Étienne-Jules Marey
Linda Bertelli
8. Entangled Environments: Diorama, Photography, and the Staging of Natural Surroundings
Alexander Streitberger
9. Reconfiguring the Use of Photography in Archaeology
Stefanie Klamm
Part 3: Hybrid Reproduction
Friedrich Tietjen
10. "The Camera That Takes a Face, Can Take a Page": Microfilm as a Scientific Aid
Estelle Blaschke
11. Stereo Atlases as Hybrid Knowledge
Kelley Wilder
12. Retouching, Staging, and Authenticity: Early Animal Photography and the Tradition of Popular Zoological Illustration around 1900
Alexander Gall
13. "Offering Pleasures to the Eye." Max Semrau's Kunst des Altertums (1899), Its Illustrations, and Art History's Ignorance Towards Reproduction
Friedrich Tietjen
14. Fantasy of a World Without Humans
Jimena Canales

About the author

Sara Hillnhuetter is a research associate in the LOEWE cluster "Architectures of Order" at the Goethe University Frankfurt.
Stefanie Klamm is a research associate at Gotha Research Centre, University of Erfurt.
Friedrich Tietjen works as a researcher and curator and is one of the founders and co-organizers of the annual conference "After Post-Photography" in St. Petersburg, Russia.

Summary

This book explores the territories where manual, graphic, photographic, and digital techniques interfere and interlace in sciences and humanities.

Product details

• Authors: Sara Klamm Hillnhuetter
• Assisted by: Sara Hillnhuetter (Editor), Stefanie Klamm (Editor), Friedrich Tietjen (Editor)
• Publisher: Taylor & Francis Ltd.
• Languages: English
• Product format: Paperback / Softback
• Released: 26.08.2024
• EAN: 9780367744441
• ISBN: 978-0-367-74444-1
• No. of pages: 200
• Series: Routledge History of Photography
• Subjects: Humanities, art, music > Art > Art history; Modern history to 20th century: c 1700 to c 1900, Photographic equipment & techniques, Photo & image editing, ART / History / General, HISTORY / World, History of art & design styles: c 1800 to c 1900, c 1800 to c 1900, 19th century, c 1800 to c 1899, General & world history, History of Art, Digital photography, General and world history, Photo and image editing, Digital Photography: Consumer/User Guides, COMPUTERS / Design, Graphics & Media / Photography, PHOTOGRAPHY / Techniques / Digital, COMPUTERS / Design, Graphics & Media / Graphics Tools