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The role of performing art in one of the world's most diverse and complex societies
This book is the first comprehensive overview of Javanese performing arts from their origins to their dynamic present. Renowned scholar and musician Sumarsam draws from a lifetime of immersion in both wayang and gamelan to guide readers through the concept of the "in-between," revealing how the interplay of dualisms-myth and history, sacred and secular, personal and cultural-forms the bedrock of Javanese performance. Rigorously researched historical case studies reveal the intricate relationship between histories and mythologies in Java. Wayang, accompanied by gamelan, is a multimedia performance imbued with rich historical, aesthetic, religious, and emotional associations. Sumarsam delves into this intricate, profound, and ever-evolving art form, exploring its diverse manifestations and venues, from courtly village entertainment-cum-ritual to palace-based aesthetic expressions of cultural proficiency; from coastal mercantile entrepots to the verdant wet rice terraces of Java; from colonial plantation and textile factory cultures to communities centered around contemporary industrial estates and creative economy initiatives. An essential resource for scholars, musicians, and enthusiasts of wayang and gamelan, The In-Between in Javanese Performing Arts offers an unparalleled immersion into the heart of traditional Javanese performing arts, revealing their profound impact on Javanese culture, identity, and artistic expression.
About the author
SUMARSAM is Winslow-Kaplan Professor of Music at Wesleyan University. His books include Gamelan: Cultural Interaction and Musical Development in Central Java (1995) and Javanese Gamelan and the West (2013). He was the recipient of the American Council of Learned Societies and the National Endowment for the Humanities Fellowship (2016-17), the Indonesian Presidential Satyalancana Cultural Award (2018), and the Yale Institute of Sacred Music Fellowship (2019-20).
