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This is the first book on Richard III and the Tower of London, shedding new light on the King's reputation, the Castle's lore, and early modern literature's role in building associations between them. It is also one of the first books to integrate conceptual blending theory and spatial literary studies, empowering scholars and students to analyze literature and locations in new ways. This book fills gaps in the existing knowledge about both Richard III and the Tower of London. Neither literary nor historical scholarship has treated the process through which Richard III and the Tower became associated in the cultural and historical imagination and how such representations have shaped the King's reputation and the Castle's lore. This study analyzes this process while offering new understandings of Richard III as a literary character in prose, drama, and poetry and extending knowledge about the Tower as an iconic literary and cultural symbol.
List of contents
List of Figures
Acknowledgements
1. Introduction
2. Thomas Legge's Richardus Tertius (1579)
3. The True Tragedy of Richard the Third (1589)
4. William Shakespeare's 2 Henry VI (1591), 3 Henry VI (1591), and Richard III (1593)
5. Thomas Heywood's The First and Second Parts of King Edward the Fourth (1599)
6. Coda: Remembering Richard III: Three Early-seventeenth-century Poems
Works Cited
Index
About the author
Kristen Deiter is a Professor of English at Tennessee Tech University, where she teaches Shakespeare, courses on medieval and early modern English literature, and courses on critical approaches to literature. She has published articles in
The Seventeenth Century,
Symbolism,
Renaissance and Reformation/Renaissance et Reforme,
Comparative Drama,
Philological Quarterly, and other journals, and a book,
The Tower of London in English Renaissance Drama: Icon of Opposition.
Summary
This is the first book on Richard III and the Tower of London, shedding new light on the King’s reputation, the Castle’s lore, and early-modern literature’s role in building associations between them. It is also one of the first books to integrate conceptual blending theory and spatial literary studies.
