Soviet Spectatorship - Observing the Body in Physical and Visual Culture

What distinguished the Soviet ''look''? How did Soviet thinkers and artists reimagine the relationship between observer and observed? Soviet Spectatorship answers these questions through an in depth exploration of Soviet physical culture and its on screen representations from the end of the Civil War to the eve of the Second World War. Samuel Goff identifies the three fundamental ''structures of looking'' - surveillance, aesthetics, and spectatorship - that shaped representations of the embodied Soviet subject. Close readings of understudied films such as Happy Finish (1934), The Laurels of Miss Ellen Gray (1935) and A Strict Young Man (1936), are contextualised through a theoretical analysis of the relationship between subjectivity and the body. In doing so, Goff traces the evolution of a specific Soviet ''look'', examining perspectives on Soviet aesthetics and theories of body and mind, uncovering continuities within Soviet visual cultures in a period usually understood in terms of discontinuity and rupture.>

About the author

Samuel Goff is Affiliated Lecturer in Slavonic Studies at the University of Cambridge, UK. He is Editorial Director of the film platform Klassiki, and a former editor at The Calvert Journal.

Product details

• Authors: Samuel Goff, Samuel (University of Cambridge Goff
• Publisher: Bloomsbury Academic
• Languages: English
• Product format: Hardback
• Released: 05.09.2024
• EAN: 9781350411166
• ISBN: 978-1-350-41116-6
• No. of pages: 264
• Dimensions: 140 mm x 220 mm x 18 mm
• Series: KINO - The Russian and Soviet Cinema
• Subjects: Guides > Sport; Humanities, art, music > Art > Theatre, ballet; PERFORMING ARTS / Film / History & Criticism, Former Soviet Union, USSR (Europe), USSR, Soviet Union, Film Theory & Criticism, Film history, theory or criticism