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From the recollections of his youth in Michigan to the visionary longings of the poems written just before his death, Theodore Roethke embarked on a quest to restore wholeness to a self that seemed irreparably broken. In the words of editor Edward Hirsch, “He courted the irrational and embraced what is most vulnerable in life.”
Hirsch’s selection and perceptive introduction illuminate the daring and intensity of a poet who, in poems such as “My Papa’s Waltz” and “The Lost Son,” reached back into the abyss of childhood in an attempt to wrest self-knowledge out of memory. Roethke’s true subject was the unfathomable depths of his own being, but his existential investigations were always shaped and disciplined by an exacting formal stringency, as equally at ease with Yeats’ vigorous cadence (“Four for Sir John Davies”) as with the spacious Whitmanian idiom on display in the virtuoso efforts of
About the American Poets Project
Elegantly designed in compact editions, printed on acid-free paper, and textually authoritative, the American Poets Project makes available the full range of the American poetic accomplishment, selected and introduced by today’s most discerning poets and critics.
