Fr. 52.50

Disrupted Knowledge - Scholarship in a Time of Change

English · Paperback / Softback

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Disrupted Knowledge: Scholarship in a Time of Change is a collection of essays that reflects the important work being done by the faculty in the School of Arts and Cultures at Newcastle University since 2020.
It focuses on the intersecting disruptions of Covid-19, #BlackLivesMatter, political extremism, gender justice, the commodification of LGBTQ lives, and social media influence. Chapters in this book interrogate the themes of discourse, materiality, and affect; neoliberalism and commodification; media, citizenship, social relations and objects; the cultural politics of (in)visibility; and self-reflexivity and auto-ethnography.
Contributors are: James Barker, David Bates, Alexander Brown, Briony Carlin, Deborah Chambers, Abbey Couchman, Richard Elliott, Chris Haywood, Joss Hands, Sarah Hill, Gareth Longstaff, Joanne Sayner, Tina Sikka, Steve Walls, Michael Waugh, and Altman Yuzhu Peng.


List of contents

Acknowledgements
Notes on Contributors
Introduction: ‘Then, There and Everywhere’ – Situating Disrupted Knowledge
 Tina Sikka, Gareth Longstaff, and Steve Walls
1 ‘Pubs, Primark & Pasta-Making Machines’: Social Class, the ‘Covidiot’ & Neoliberal Narratives of Consumer Practice
 Steve Walls
2 ‘A Huge Social Experiment’: Postdigital Social Connectivity under Lockdown Conditions
 Deborah Chambers
3 The Colour of Technology: Covid-19, Race, and the Pulse Oximeter
 Tina Sikka
4 The Pedagogy of the Distressed: Truth-Twisters and Toxification of Higher Education
 Joss Hands
5 ‘This Is Britain, Get a Grip’: Race and Racism in Britain Today
 David Bates
6 Traditional Chinese Medicine Is Fake: Politicised Medical Commentaries in China in the covid -19 Pandemic
 Altman Yuzhu Peng
7 Representing the Stasi: Archives, Knowledge, and Citizenship in the Former German Democratic Republic
 Alexander D. Brown and Joanne Sayner
8 (Not) Being the ‘Cool Disabled Person’: Queering / Cripping Postfeminist Girlhood on Social Media
 Sarah Hill
9 ‘Self, Self, Self’: Masculine Modes of Sexual Self-representation and the Disruptive Politics of Jouissance on OnlyFans.com
 Gareth Longstaff
10 Pandemic Dating: Masculinity, Dating Practice and Risk within the Context of Covid-19
 Abbey Couchman
11 Post-lockdown Sex: Uncertain Intimacies, Cultures of Desire, and UK Sex Clubs
 Chris Haywood
12 Pain and Suffering, Uterus Trumpets and the Wild Ride: Autoethnographic Aca-Fandom, Para-Social Relationships and Diane Podcast
 Michael Waugh
13 ‘Standing in Your Cardigan’: Evocative Objects, Ordinary Intensities, and Queer Sociality in the Swiftian Pop Song
 James Barker, Richard Elliott, and Gareth Longstaff
14 My Doubtful Cézanne Assembling Emergent Knowledges of Matter and Mattering through Painting-by-Numbers and Autoethnography during Covid
 Briony A. Carlin
Conclusion
 Tina Sikka, Gareth Longstaff, and Steve Walls
Index

About the author

Tina Sikka is Reader in Technoscience and Intersectional Justice at Newcastle University, UK. She has published two monographs and several articles on a range of topics including gender, race, and health/environmental science; sexual ethics; restorative justice; and continental philosophy.
Gareth Longstaff is Lecturer in Media & Cultural Studies at Newcastle University, UK. His research is connected to queer theory, history, archiving, and the contours of how this relates to gay male sexuality, celebrity, pornography and the self. In his book Celebrity, Pornography, and the Politics of Desire he engages and applies this approach to self-representational media, pornography/sexual representation, and digital/networked archives of desire.
Steve Walls is Lecturer in Media & Cultural Studies at Newcastle University, UK. He has previously published Examining Male Service Work: Gendered and Sexualised Aesthetics. His research/scholarship explores advertising and consumption, fashion communications, masculinities and sexuality.

Summary

Disrupted Knowledge: Scholarship in a Time of Change is a collection of essays that reflects the important work being done by the faculty in the School of Arts and Cultures at Newcastle University since 2020.
It focuses on the intersecting disruptions of Covid-19, #BlackLivesMatter, political extremism, gender justice, the commodification of LGBTQ lives, and social media influence. Chapters in this book interrogate the themes of discourse, materiality, and affect; neoliberalism and commodification; media, citizenship, social relations and objects; the cultural politics of (in)visibility; and self-reflexivity and auto-ethnography.
Contributors are: James Barker, David Bates, Alexander Brown, Briony Carlin, Deborah Chambers, Abbey Couchman, Richard Elliott, Chris Haywood, Joss Hands, Sarah Hill, Gareth Longstaff, Joanne Sayner, Tina Sikka, Steve Walls, Michael Waugh, and Altman Yuzhu Peng.

Foreword

•Email campaign to Haymarket's growing number of mailing list subscribers
•Promotion to the subscribers and supporters of the journal from which the book series derives
•Academic marketing campaign to scholars in relevant fields, aiming to specifically target professors likely to assign the book to students
•Reviews in relevant academic and left journals and periodicals
•Virtual launch events bringing together authors and contributors from across the globe to the 35k subscribers to Haymarket's  YouTube channel
•Display and promotion at relevant academic and left conferences and events

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