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Zusatztext "From the accession of James I to 1616! argues Mardock! Jonson (1573-1637) pursued a project that had as much to do with the physical and social spaces of London as with his plays and their collection into his famous Folio. He shows how the playwright exerted much control over the stages and theaters where his plays were performed! and dealt extensively in his plays with how Londoners conceived their city! their experience of drama and its relation to their everyday lives! and how they understood space and the lived environment generally. Parts of the study served as his Ph.D. dissertation at the University of Wisconsin! and parts have been delivered as talks." -- Book News Inc.! August 2008"Our Scene is London offers a thoughtful contribution to Jonsonian criticism! as well as to studies of authorship and the representation of space... A promising treatment of a topic that deserves more exploration." -- Suzanne Penuel! South Atlantic Review Informationen zum Autor James Mardock is Associate Professor of English and Crowley Distinguished Professor of the Humanities at the University of Nevada, Reno, US. Klappentext In this thought-provoking study Mardock looks at Ben Jonson's epigrams, prose, and verse satire in order to focus on Jonson's theatrical appropriations of London space both in and out of the playhouse. Through this critical analysis, the author argues that the strategies of authorial definition that Jonson pursued throughout his career as a poet and playwright were in large part determined by two intersecting factors: first, his complicated relationship with London's physical places and its institutional topography, and secondly--challenging commonplace assumptions about Jonson's anti-theatricality--the distinctly theatrical model of spatial practice that he brought to bear on his representation of the urban experience. Although much criticism has focused on Jonson's role in the emergence of modern definitions of authorship, most has focused on the material contexts of the book trade, on the politics of Jonson's patronage, or on Jonson's self-construction as a neoclassical and primarily textual poet. Mardock engages with all these considerations, but with a focus on the dramatic practices of urban space--a growing concern among scholars of early-modern drama--as a consistent factor in Jonson's authorial claims. Zusammenfassung With its three-part rubric of London, drama, and space, this study brings to the currently vigorous critical discussion of Jonsonian authorship the sense of how another sort of dramatic text—that of London’s spaces as interpreted through dramatic practice both in the streets of the city and on its stages—is also an integral factor in the emergence of the early modern author. Inhaltsverzeichnis Acknowledgments Introduction Chapter One: Space as Authorial Strategy Chapter Two: Londinium: the 1604 Royal Entry of James I Chapter Three: London on Stage, London as Stage Chapter Four: Jonson’s Plague Year Plays Chapter Five: Practicers of their madness: Bartholomew Fair and the Space of the Author Epilogue: Beyond the 1616 Folio Notes Bibliography Index...
