Read more
The most familiar assertion of Shakespeare scholarship is that he is our contemporary. Shakespeare After Theory provocatively argues that he is not, but what value he has for us must at least begin with a recognition of his distance from us.
List of contents
Part 1 Introduction; Introduction; Part 2 Demanding History; Chapter 1 Shakespeare after Theory; Chapter 2 Are We Being Interdisciplinary Yet?; Part 3 The Text in History; Chapter 3 The Mechanics of Culture; Chapter 4 Shakespeare in Print; Chapter 5 "Killed with Hard Opinions"; Part 4 The Text as History; Chapter 6 "Proud Majesty Made a Subject"; Chapter 7 "The King hath many marching in his Coats," or, What did you do in the War, Daddy?; Chapter 8 Is There a Class in This (Shakespearean) Text?; Chapter 9 Macbeth and the "Name of King"; Chapter 10 "The Duke of Milan / And his Brave Son"; Part 5 Coda; Chapter 11 "Publike Sports" and "Publike Calamities";
About the author
David Scott Kastan is Professor of English and Comparative Literature at Columbia University. Among his publications are Shakespeare and the Shapes of Time, Staging theRenaissance (ed. with Peter Stallybrass), Critical Essayson Shakespeare's Hamlet, and The New History of EarlyEnglish Drama (ed. with John Cox). He is also a general editor of the Arden Shakespeare.
Summary
Responding to the theoretical initiatives of the last twenty years this book compellingly restores Shakespeare's plays to the rich densities of the world in which and to which they were created.
