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17 Beiträge, resultierend aus den Vorträgen, gehalten beim Internationalen Symposium ¿Mikrotöne: Small is Beautiful" (30.6.-4.7.2023) in Salzburg.
Inhaltsverzeichnis:
Agustín Castilla-Ávila: Prologue, p.4
Navid Bargrizan: Just Intonation, Dastgah-Music, and Scordatura in Kupferteich, p.7
Katarzyna Bartos: Between freedom and structure in Iluzje by Adam Porebski, p.14
Jonatan Carrasco Hernández: The use of Pure Data for the automatic creation of microtonal scales used in the fixed media work Tenoni, p.22
Jim Dalton: Privileging Interval over Scale: Using Free-Style Just Intonation to Achieve Scale-less Bohlen-Pierce, p. 29
Katarzyna Daszkiewicz: Does microtonal mean apocalyptic? Pawel Mykietyn's Ladnienie for baritone, microtonal harpsichord and string quartet, p. 37
Karin De Fleyt: Temporality layers in Xi for flute solo by Karlheinz Stockhausen, p. 52
Vytautas Germanavicius: In Search of Archaic Code as a Symbol of the Interval Structure in Folk Music Scales, p. 58
Nikolaus Gerszewski: The Microchromatic Perspective, p.75
Martin Gut: 60EDO in Günther Rabl¿s tape composition Landschaft mit Pianist, p. 82
Franck Jedrzejewski: Petr Chernobrivets and the 20-Tone Universe, p. 94
Gerhard Klösch: The Sliding Keyboard, a new pure tonal instrument; part 2: Applications, p.104
Klaus Lang, Martin Ritter, Alyssa Aska, Pablo Mariña: Imagination as the instrument of the composer: developing the Frescobaldi enharmonic keyboard enhancement, p.112
John Schneider: The global Guitar Music of Lou Harrrison, p. 125
Ulf-Diether Soyka: Queer Pitch? p. 135
Siegfried Steinkogler: Ludus Microtonalis - a new Method to learn the Basics of microtonal Music, p. 145
Luke Villavicencio: Simplifying the Understanding and Composition of Microtones with Microtonal Planes, p. 150
Richard Whalley: Microtones and Landscape: Introducing Lud¿s Chuch, written for Stephen Altoft¿s 19-div Trumpet, p. 157
