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Another top-shelf thriller about near-future geopolitical turmoil . . . Ackerman and Stavridis paint a sweeping and resonant portrait of a world faced with a powerful technological advancement it doesn''t fully understand. The results are genuinely chilling>
About the author
ELLIOT ACKERMAN is the New York Times bestselling author of the novels Halcyon, 2034, Red Dress In Black and White, Waiting for Eden, Dark at the Crossing, and Green on Blue, as well as the memoir The Fifth Act: America’s End in Afghanistan, and Places and Names: On War, Revolution and Returning. His books have been nominated for the National Book Award, the Andrew Carnegie Medal in both fiction and nonfiction, and the Dayton Literary Peace Prize among others. He is a contributing writer at The Atlantic and Marine veteran who served five tours of duty in Iraq and Afghanistan, where he received the Silver Star, the Bronze Star for Valor, and the Purple Heart. He divides his time between New York City and Washington, D.C.Admiral Jim Stavridis, USN (Ret.), spent more than thirty years in the U.S. Navy, rising to the rank of four-star admiral. He was Supreme Allied Commander at NATO and previously commanded U.S. Southern Command, over-seeing military operations throughout Latin America. At sea, he commanded a Navy destroyer, a destroyer squadron, and an aircraft carrier battle group in combat. He holds a PhD from the Fletcher School of Law and Diplomacy at Tufts University, where he recently served five years as dean. He received fifty medals in the course of his military career, including twenty-eight from foreign nations. He is the author of ten other books, including Sea Power: The History and Geopolitics of the World’s Oceans and Sailing True North: Ten Admirals and the Voyage of Character, and is Chief International Analyst for NBC News and a contributing editor of Time magazine. He is currently the vice chair, global affairs, and managing director of the Carlyle Group and the chair of the board of the Rockefeller Foundation.
Report
This kind of fiction can induce a kind of sublime awe at the complexity of the global networks in which we're enmeshed . . . 2034 and 2054 are near-future tales, extrapolating from the present to a carefully imagined next five minutes, designed to elicit a little spark of recognition, the feeling of being shown a possible path from "here" to a utopian or dystopian "there" Hari Kunzru New York Times
