Fr. 183.60

Transnational German Film at the End of Neoliberalism - Radical Aesthetics, Radical Politics

English · Hardback

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Description

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Posits a new, aesthetically and politically radical, transnational German cinema - "transnational" also in the sense of concerns with migration, the movement of capital across borders, and globalization.

List of contents










Acknowledgments
Introduction - Claudia Breger and Olivia Landry
Part I. Radical Pessimism as a Form of Resistance: Political Drama in the Age of Surplus Humanity and New Fascism
1. Transit (2018) and Postfascism - Angelos Koutsourakis
2. "Her mit dem schönen Leben": Happiness and Access in Berlin Alexanderplatz (2020) - Priscilla Layne
3. Negative Futurability and the Politics of Pessimism in Fatih Ak¿n's Aus dem Nichts (2017) - Gozde Naiboglu
Part II. Rethinking the Evidence: New Documentary Forms
4. Forensic Fallacies - Lutz Koepnick
5. The Border as Abjecting Apparatus: Shipwreck at the Threshold of Europe, Lesvos, Aegean Sea (2020) and Purple Sea (2019) - Randall Halle
6. The Politics of the Machinic Voice in Gerd Kroske's Documentary SPK Komplex (2018) - Olivia Landry
Part III. Reassembling the Archives of Radical Filmmaking
7. Marking Time after Utopia - Richard Langston
8. Remediations of Cinefeminism in Contemporary German Film - Hester Baer
9. A Few Takes toward Reassembling (the Dream of) the People: Julian Radlmaier's Selbstkritik eines bürgerlichen Hundes (2017) - Claudia Breger
Part IV. Intimate Connections: Aesthetics and Politics of a Cinema of Relations
10. Choric Configurations and the Collective: Ruth Beckermann's Films - Fatima Naqvi
11. Aerial Aesthetics, Queer Intimacy, and the Politics of Repose in the Cinema of Nils Bökamp and Monika Treut - Ervin Malakaj
12. Between Observational Detachment and Affective Attachment: The Posthumanist Pedagogy of Herr Bachmann und seine Klasse (2021) - Angelica Fenner
Notes on the Contributors
Index

About the author










Edited by Claudia Breger and Olivia Landry

Summary

Posits a new, aesthetically and politically radical, transnational German cinema - "transnational" also in the sense of concerns with migration, the movement of capital across borders, and globalization.

Product details

Assisted by Claudia Breger (Editor), Professor Claudia Breger (Editor), Olivia Landry (Editor)
Publisher Boydell & Brewer
 
Languages English
Product format Hardback
Released 12.03.2024
 
EAN 9781640141520
ISBN 978-1-64014-152-0
No. of pages 256
Dimensions 152 mm x 229 mm x 16 mm
Weight 513 g
Series Screen Cultures: German Film and the Visual
Subjects Humanities, art, music > Art > Theatre, ballet
Social sciences, law, business > Political science > Political science and political education

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