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This research study examines the existing Kenyan national dress with the aim of developing a culturally inspired attire that resonates across the diverse Kenyan ethnic landscape. The motivation behind this stems from the underwhelming adoption of the Kenyan National Dress. The top-down approach to its development hindered its acceptance, contrary to expectations. The literature delves into historical attempts by various design champions, explores national dresses from other nations, and analyzes both the failures and successes of the current national dress, along with the design process. The research philosophy adopted for this study is interpretivist. The sampling strategy in this qualitative study employs non-probability sampling techniques. The researcher conducted interviews with a total of 60 respondents. The primary data collection tools included interviews, archival research, surveys, and open-ended questionnaires. The analysis methods incorporated content analysis. The study suggests the possibility of utilizing tribal clothing as inspiration for the development of a Kenyan National Dress. It acknowledges that there may or may not be a need for a Kenyan National Dress.
About the author
Mr. Charles Ouma Obulo is a senior fashion and textile design technologist in the Dept. of Arts and Design, Faculty of the Built Environment and Design, University of Nairobi. Passionate about technical instruction, lecturing, and research, he is a qualified individual. Mr. Obulo also serves as a Co-design researcher at the University of Nairobi.
